{"title":"Pop","description":null,"products":[{"product_id":"john-coltrane-giant-steps-180-gram-vinyl-deluxe-gatefold-edition-import","title":"John Coltrane Giant Steps (180 Gram Vinyl, Deluxe Gatefold Edition) [Import]","description":"\u003cp\u003eThe 1998 reissue of GIANT STEPS contains all the original tracks and liner notes plus additional tracks and rare photos. Personnel: John Coltrane (tenor saxophone); Tommy Flanagan, Wynton Kelly, Cedar Walton (piano); Paul Chambers (bass); Art Taylor, Lex Humphries, Jimmy Cobb (drums). Producer: Nesuhi Ertegun. Reissue producer: Bob Carlton, Patrick Milligan. Recorded at Atlantic Studios, New York, New York on April 1, May 4 and December 2, 1959. Includes liner notes by Nat Hentoff. Digitally remastered by Bill Inglot \u0026amp; Dan Hersch (DigiPrep). Personnel: John Coltrane (tenor saxophone); Tommy Flanagan, Wynton Kelly, Cedar Walton (piano); Paul Chambers (bass); Art Taylor, Lex Humphries, Jimmy Cobb (drums). Recorded at Atlantic Studios, New York, New York on April 1, May 4 and December 2, 1959. Includes liner notes by Nat Hentoff. John Coltrane's maiden voyage for Atlantic Records was the fulfillment of all the potential he'd demonstrated with Miles, Monk and on his own Prestige recordings. Recorded in May 1959 (one month after completing Davis' KIND OF BLUE), GIANT STEPS is Coltrane's first recital to feature nothing but his own original compositions, and is the culmination of his obsessive foray into harmony. By taking all of the notes in a chord--and trying to find every possible inversion and relevant substitution--the saxophonist was forced to develop a complex new form of melodic phrasing that enabled him to rhythmically crowd every permutation into a single phrase. The effect is not only technically impressive, but an emotional marvel as well. On equestrian events such as the up-tempo title tune and \"Countdown,\" Coltrane blazes through the changes with a torrential effusion of ideas, each phrase connected to the next with unerring logic and a sublime sense of symmetry. Every note in the lower, middle and upper register of his horn is articulated with power, precision and a variety of expressive timbres. His manipulation of overtones and multiphonics imparts a hair-raising vocal immediacy to his cry, and each solo culminates in a stirring emotional catharsis. This is bebop to the tenth power. But the joy of Coltrane's art is not predicated on its intellectual dexterity. The charming stop-time cadences of \"Syeeda's Song Flute\" depict an upbeat, child-like disposition, inspiring a particularly celebratory Coltrane solo. The vamping figures of \"Cousin Mary\" and \"Mr. P.C.\" lead to solos permeated with blues fervor. And of course, there's \"Naima\" (written for John's first wife), one of the saxophonist's tenderest, most enduring themes, with a melody that floats above Tommy Flanagan's serene chordal colors like a solitary cloud at dusk.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/16\/2018\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Coltrane","offers":[{"title":"Default Title","offer_id":50558303535335,"sku":"MX9KUE-35ZK-00","price":18.22,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/john-coltrane-giant-steps-180-gram-vinyl-deluxe-gatefold-edition-import_Xqvos_d977cf9a-75e0-4c2a-83a7-347039892899.jpg?v=1740439551"},{"product_id":"davis-miles-live-evil-hq-gatefold","title":"Davis, Miles LIVE EVIL -HQ\/GATEFOLD-","description":"Personnel: Miles Davis (trumpet); Hermeto Pascoal (vocals, whistling, electric piano, drums); Conrad Roberts (spoken vocals); Gary Bartz (soprano \u0026amp; alto saxophones); Steve Grossman, Wayne Shorter (soprano saxophone); Keith Jarrett (electric piano, organ); Joe Zawinul, Herbie Hancock, Chick Corea (electric piano); John McLaughlin (guitar); Khalil Balakrishna (electric sitar); Dave Holland (acoustic \u0026amp; electric basses); Ron Carter (acoustic bass); Michael Henderson (electric bass); Jack DeJohnette, Billy Cobham (drums); Airto Moreia (percussion).\nRecorded at Columbia Studio B, New York, New York between February 6 and June 4, 1970, and live at the Cellar Door, Washington, D.C. on December 19, 1970. Includes liner notes by Gary Bartz.\nDigitally remastered by Tom Ruff (Sony Music Studios, New York, New York).\nThe first in a continuing series of double-LP extravaganzas released only in Japan in the early '70s, Live-Evil mixes four studio tracks from 1970 with four live ones taken from a Washington, D.C. performance in December of that year. Amidst heavy competition, the live tracks -- including \"What I Say,\" \"Sivad\" and \"Gemini Double Image\" -- are the highlights, featuring some of Miles' best playing of the decade, plus aggressive work on extended solo spots by John McLaughlin on guitar, Keith Jarrett on keyboards, and Jack DeJohnette on drums. Alternating chaotic deep-groove passages with a few more atmospheric, Live-Evil held up for two decades as one of the great import-only Miles Davis albums, until it was reissued in America by Columbia\/Legacy in 1997. ~ John Bush\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eReleased: 03\/21\/2016\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Davis, Miles","offers":[{"title":"Default Title","offer_id":50558303699175,"sku":"EE7XJE-A5IG-13","price":50.64,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/davis-miles-live-evil-hqgatefold-_68IVG.jpg?v=1740670137"},{"product_id":"miles-davis-someday-my-prince-will-come-180-gram-vinyl","title":"Miles Davis Someday My Prince Will Come (180 Gram Vinyl)","description":"Personnel: Miles Davis (trumpet); Hank Mobley, John Coltrane (tenor saxophone); Wynton Kelly (piano); Paul Chambers (bass); Jimmy Cobb, Philly Joe Jones (drums).\r\nRecorded at 30th Street Studio, New York, New York on March 7, 20 \u0026amp; 21, 1961. Originally released on Columbia (8456). Includes liner notes by Ira Gitler and Eddie Henderson.\r\nDigitally remastered by Teo Macero (CBS Records Studio, New York).\r\nThis is part of the Columbia Jazz Masterpieces series.\r\nRecorded shortly after the blistering IN PERSON, FRIDAY\/SATURDAY NIGHT AT THE BLACKHAWK, SAN FRANCISCO, VOLUMES 1 \u0026amp; 2 (but released first), SOMEDAY MY PRINCE WILL COME captures Miles Davis and his second great rhythm section at the peak of their collective interplay. By March 1961, the rhythm team of Wynton Kelly, Paul Chambers and Jimmy Cobb had attained a finger snapping level of relaxation and swing that was equal parts grits and grace (check out their soulful blues vamp on \"Pfrancing\"). They had become so attuned to each other during their tenure with Miles that they left in tandem to form the Wynton Kelly Trio--forcing Miles to search for new conscripts, precipitating his boldest period of exploration.\r\nMiles' had a penchant for turning offbeat standards and show tunes into personal jazz classics, and certainly few songs have come to be as closely identified with an artist as \"Someday My Prince Will Come.\" From the rhythm section's evocation of a clock striking midnight and Kelly's big band-styled comping, through Miles' famous muted rendition of the theme and the contrasting tenor styles of laid-back Hank Mobley and a testifying John Coltrane, this is a defining moment in the history of jazz and the pop song form.\r\nThe title tune tends to overshadow the understated power of Miles' muted horn on such exceptional ballad performances as \"Old Folks,\" \"I Thought About You\" and the trumpeter's own \"Drad-Dog.\" But it's \"Teo,\" an extra funky, Spanish flavored vamp (shades of \"It Ain't Necessarily So\") that elicits the most heat from each improviser, particularly Mr. Coltrane, only months away from his own epic Iberian \"Ole.\"\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 04\/20\/2013\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":50558303928551,"sku":"MCZG5U-IXOP-00","price":33.45,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/miles-davis-someday-my-prince-will-come-180-gram-vinyl_Q75AA.jpg?v=1740670311"},{"product_id":"miles-davis-kind-of-blue-mono-sound","title":"Miles Davis Kind Of Blue (Mono Sound)","description":"\u003cp\u003eKind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz -- an accepted work of greatness that's innovative and entertaining. That may not mean it's the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps it's that this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of \"So What.\" From that moment on, the record never really changes pace -- each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz -- tonality and solos build from chords, not the overall key, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance. They return because this is an exceptional band - Miles, Coltrane, Bill Evans, Cannonball Adderly, Paul Chambers, Jimmy Cobb, and Wynton Kelly -- one of the greatest in history, playing at the peak of its power. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Davis laid out the themes and chords before the tape rolled, and then the band improvised. The end results were wondrous, filled with performances that still crackle with vitality. Few albums of any genre manage to work on so many different levels, but Kind of Blue does. It can be played as background music, yet it amply rewards close listening. It is advanced music that is extraordinarily enjoyable. It may be a stretch to say that if you don't like Kind of Blue, you don't like jazz -- but it's hard to imagine it as anything other than a cornerstone of any jazz collection. ~ Stephen Thomas Erlewine\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top2000\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/29\/2013\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":50558304026855,"sku":"31M904-2BFA-00","price":29.52,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/miles-davis-kind-of-blue-mono-sound_5IFnc.jpg?v=1740670119"},{"product_id":"wayne-shorter-etcetera","title":"Wayne Shorter Etcetera","description":"Personnel: Wayne Shorter (tenor saxophone); Herbie Hancock (piano); Cecil McBee (bass); Joe Chambers (drums).\nProducer: Alfred Lion.\nReissue producer: Michael Cuscuna.\nRecorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on June 14, 1965. Includes liner notes by Michael Cuscuna.\nThis is part of Blue Note's Limited Edition Connoisseur series.\nThis mid 60's Blue Note date, after Shorter had already joined Miles Davis' great quintet of the time, reflects the saxophonist's expansion into wider realms of composition. After leaving Art Blakey's Jazz Messengers, Shorter's compositions slowly moved in the direction of the free-flowing, eclectic modal style that would be developed to its greatest degree in Davis' group. Here, however, Shorter's artistic vision is completely his own and his performance displays his unique creativity to the fullest. With Davis bandmate Herbie Hancock (piano), Cecil McBee (bass) and Joe Chambers (drums), ETCETERA is an often-overlooked jewel in the saxophonist's collection.\nThe restrained title track opens the session with a brilliant yet cautious melody line that Shorter develops into an expressive solo spot, soon to be followed by an explosive statement by Chambers. The dusky ballad \"Penelope\" follows, gently flowing with burnished tones. The swinging \"Toy Tune\" is the most traditional sounding piece, but still displays Shorter's unique approach to chord structures and effortless melody lines. Gil Evans' \"Barracudas (General Assembly)\" creates the most tension in the set with repeated accent figures, obtuse chord progressions and Chambers' dynamic propulsion. Finally, the epic \"Indian Song\" is a commanding ending to this deeply moving set.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 2\/8\/2019\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Wayne Shorter","offers":[{"title":"Default Title","offer_id":50558304059623,"sku":"MEKLPQ-YIXL-OZ","price":51.48,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/wayne-shorter-etcetera_bcTaF.jpg?v=1740670234"},{"product_id":"john-coltrane-giant-steps-180-gram-vinyl","title":"John Coltrane Giant Steps (180 Gram Vinyl)","description":"The 1998 reissue of GIANT STEPS contains all the original tracks and liner notes plus additional tracks and rare photos.\r\nPersonnel: John Coltrane (tenor saxophone); Tommy Flanagan, Wynton Kelly, Cedar Walton (piano); Paul Chambers (bass); Art Taylor, Lex Humphries, Jimmy Cobb (drums).\r\nProducer: Nesuhi Ertegun.\r\nReissue producer: Bob Carlton, Patrick Milligan.\r\nRecorded at Atlantic Studios, New York, New York on April 1, May 4 and December 2, 1959. Includes liner notes by Nat Hentoff.\r\nDigitally remastered by Bill Inglot \u0026amp; Dan Hersch (DigiPrep).\r\nPersonnel: John Coltrane (tenor saxophone); Tommy Flanagan, Wynton Kelly, Cedar Walton (piano); Paul Chambers (bass); Art Taylor, Lex Humphries, Jimmy Cobb (drums).\r\nRecorded at Atlantic Studios, New York, New York on April 1, May 4 and December 2, 1959. Includes liner notes by Nat Hentoff.\r\nJohn Coltrane's maiden voyage for Atlantic Records was the fulfillment of all the potential he'd demonstrated with Miles, Monk and on his own Prestige recordings. Recorded in May 1959 (one month after completing Davis' KIND OF BLUE), GIANT STEPS is Coltrane's first recital to feature nothing but his own original compositions, and is the culmination of his obsessive foray into harmony. By taking all of the notes in a chord--and trying to find every possible inversion and relevant substitution--the saxophonist was forced to develop a complex new form of melodic phrasing that enabled him to rhythmically crowd every permutation into a single phrase.\r\nThe effect is not only technically impressive, but an emotional marvel as well. On equestrian events such as the up-tempo title tune and \"Countdown,\" Coltrane blazes through the changes with a torrential effusion of ideas, each phrase connected to the next with unerring logic and a sublime sense of symmetry. Every note in the lower, middle and upper register of his horn is articulated with power, precision and a variety of expressive timbres. His manipulation of overtones and multiphonics imparts a hair-raising vocal immediacy to his cry, and each solo culminates in a stirring emotional catharsis. This is bebop to the tenth power.\r\nBut the joy of Coltrane's art is not predicated on its intellectual dexterity. The charming stop-time cadences of \"Syeeda's Song Flute\" depict an upbeat, child-like disposition, inspiring a particularly celebratory Coltrane solo. The vamping figures of \"Cousin Mary\" and \"Mr. P.C.\" lead to solos permeated with blues fervor. And of course, there's \"Naima\" (written for John's first wife), one of the saxophonist's tenderest, most enduring themes, with a melody that floats above Tommy Flanagan's serene chordal colors like a solitary cloud at dusk.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/4\/2003\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Coltrane","offers":[{"title":"Default Title","offer_id":50558304190695,"sku":"13EUG3-UPTN-00","price":32.16,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/john-coltrane-giant-steps-180-gram-vinyl_Z30L1.jpg?v=1740670279"},{"product_id":"miles-davis-birth-of-the-cool","title":"Miles Davis Birth Of The Cool","description":"Personnel: Miles Davis (trumpet); Kenny Hagood (vocals); Lee Konitz (alto saxophone); Gerry Mulligan (baritone saxophone); Junior Collins, Sandy Siegelstein, Gunther Schuller (French horn); J.J. Johnson, Kai Winding (trombone); John Barber (tuba); John Lewis, Al Haig (piano); Al McKibbon, Joe Shulman, Nelson Boyd (bass); Kenny Clarke, Max Roach (drums).\r\nProducer: Walter Rivers, Pete Rugulo.\r\nReissue producer: Michael Cuscuna.\r\nRecorded in New York, New York on January 21 \u0026amp; April 22, 1949 and on March 9, 1950. Originally released on Capitol (762). Includes liner notes by Pete Welding \u0026amp; Gerry Mulligan.\r\nDigitally remastered by Rudy Van Gelder.\r\nThis is part of Blue Note's Rudy Van Gelder Editions series.\r\nAs Miles Davis came to transcend the influence of Dizzy Gillespie and recognize his own musical voice, he arrived at a terse lyric conception of the trumpet, grounded in Charlie Parker's swinging syncopations. And it was in the course of searching for an appropriate musical corollary that he forged an enduring musical partnership with arranger Gil Evans and a core group of like-minded musicians that yielded three remarkable sessions which have come down to us as BIRTH OF THE COOL.\r\nFor Davis and Evans, the challenge was to create a supple new vocabulary out of the angularity of bebop, and greater emphasis on texture and form. By reining in the rhythm, Davis and Evans sought to create a more seamless fabric of written and improvised passages. And by employing tuba, French horn, trombone and trumpet, along with alto and baritone saxophones the Davis Nonet achieved a diaphanous, mellow orchestral texture.\r\nHowever, the notion of cool as emotional detachment or lack of improvisational heat is somewhat overstated by the title. John Lewis's chart for the opening \"Move\" is taken at a brisk gallop over a driving Max Roach pulse, animated by deep brass counterpoint. Miles Davis treats his own blues, \"Deception,\" in an almost choral manner, his lovely melodic line snaking through a web of voices. Gerry Mulligan's \"Rocker\" benefits from the rich contrary motion of his writing, and the big band accents which launch Miles' solo. On \"Boplicity,\" Gil Evans' harmonizes his coy swinging melody with warm, broken voicings, while his spatial, atmospheric chart for the ballad \"Moon Dreams\" is distinguished by the idiomatic serenity of his voice leading. A masterpiece.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/07\/2016\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":50558304223463,"sku":"5HCMCU-RF3N-00","price":36.14,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/miles-davis-birth-of-the-cool_ggjoC.jpg?v=1740671103"},{"product_id":"miles-davis-round-about-midnight-180-gram-vinyl","title":"Miles Davis 'Round About Midnight (180 Gram Vinyl)","description":"Personnel: Miles Davis (trumpet); John Coltrane (tenor saxophone); William \"Red\" Garland (piano); Paul Chambers (bass); Philly Joe Jones (drums).\r\nRecorded at Columbia Studios, New York, New York between October 26, 1955 and September 10, 1956. Includes liner notes by Bob Blumenthal.\r\nGiven that 'Round About Midnight was Miles Davis' debut Columbia recording, it was both a beginning and an ending. Certainly the beginning of his recording career with the label that issued most if not all of his important recordings; and the recording debut of an exciting new band that had within its ranks Philly Joe Jones, Paul Chambers, pianist Red Garland, and an all but unknown tenor player named John Coltrane. The title track was chosen because of its unique rendition with a muted trumpet, and debuted at the Newport Jazz Festival the summer before to a thunderous reception. The date was also an ending of sorts because by the time of the album's release, Davis had already broken up the band, which re-formed with Cannonball Adderley a year later as a sextet, but it was a tense year.\r\nMusically, this sound is as unusual and as beautiful as it was when issued in 1956. Davis had already led the charge through two changes in jazz -- both cool jazz and hard bop -- and was beginning to move in another direction here that wouldn't be defined for another two years. Besides the obvious lyrical and harmonic beauty of \"Round About Midnight\" that is arguably its definitive version even over Monk's own, there are the edges of Charlie Parker's \"Au Leu-Cha\" with its Bluesology leaping from every chord change in Red Garland's left hand. Coltrane's solo here too is notable for its stark contrast to Davis' own: he chooses an angular tack where he finds the heart of the mode and plays a melody in harmonic counterpoint to the changes but never sounds outside. Cole Porter's \"All of You\" has Davis quoting from Louis Armstrong's \"Basin Street Blues\" in his solo that takes out the tune, and Coltrane has never respected a melody so much. But it's in \"Bye-Bye Blackbird\" that we get to hear the band gel as a unit, beginning with Davis playing through the melody, muted and sweet, slightly flatted out until he reaches the harmony on the refrain and begins his solo on a high note. Garland is doing more than comping in the background; he's slipping chord shapes into those interval cracks and shifting them as the rhythm section keeps \"soft time.\" When Coltrane moves in for his break, rather than Davis' spare method, he smatters notes quickly all though the melodic body of the tune and Garland has to compensate harmonically, moving the mode and tempo up a notch until his own solo can bring it back down again. Which he does with a gorgeous all-blues read of the tune utilizing first one hand and then both hands to create fat harmonic chords to bring Davis back in to close it out. It's breathtaking how seamless it all is. There's little else to say except that 'Round About Midnight is among the most essential of Davis' Columbia recordings. ~ Thom Jurek\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 04\/20\/2013\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":50558304354535,"sku":"0PSQQ4-0ZA9-00","price":29.52,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/miles-davis-round-about-midnight-180-gram-vinyl_E2rya.jpg?v=1740670252"},{"product_id":"miles-davis-bitches-brew-140-gram-vinyl-download-insert-2-lps","title":"Miles Davis Bitches Brew (140 Gram Vinyl, Download Insert) (2 Lp's)","description":"\u003cp\u003e Bitches Brew (140 Gram Vinyl, Download Insert) (2 Lp's) is a Records \u0026amp; LPs from Miles Davis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 03\/27\/2020\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":50558304420071,"sku":"A5UYV8-XCAF-00","price":32.8,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/miles-davis-bitches-brew-140-gram-vinyl-download-insert-2-lps_nr7Td.jpg?v=1744223077"},{"product_id":"wes-montgomery-full-house-1-bonus-track","title":"Wes Montgomery Full House + 1 Bonus Track","description":"Personnel: Wes Montgomery (guitar); Johnny Griffin (tenor saxophone); Wynton Kelly (piano); Paul Chambers (bass); Jimmy Cobb (drums).\nRecorded live at Tsubo, Berkeley, California on June 25, 1962. Originally released on Riverside (9434). Includes liner notes by Orrin Keepnews.\nPersonnel: Wes Montgomery (guitar); Johnny Griffin (tenor saxophone); Wynton Kelly (piano); Paul Chambers (bass); Jimmy Cobb (drums).\nRecorded live at Tsubo, Berkeley, California on June 25, 1962. Originally released on Riverside (9434). Includes liner notes by Orrin Keepnews.\nDigitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology.\nFor starters, it is impossible to go wrong with the personnel on FULL HOUSE. With a rhythm section comprised of alumni from Miles Davis's first quintet (Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums) and the blazing tenor saxophone of Johnny Griffin complementing Wes Montgomery's bop leads on guitar, listeners will know they are in for a wild ride even before the album begins. Add to this an enthusiastic audience in a Berkeley jazz club in 1962 (where the performance was recorded), and one has a full house in more ways than one.\nPost bop with a soulful, bluesy edge is the flavor of the day here, and the group works out accordingly on Dizzy Gillespie's \"Blue 'N' Boogie\" and on Montgomery's own compositions, the title track and \"Cariba,\" both of which meld shuffle-boogaloo rhythms to bop pyrotechnics, casting the whole in a soul-jazz vibe. A beautiful, smoothed-out read of \"I've Grown Accustomed to Her Face\" is a showcase for Montgomery's cool, melting tone. Listeners will undoubtedly wish they were in the audience in Berkeley that night; but listening to FULL HOUSE is the next best thing. (The Extended Resolution reissue of the CD provides superior audiophile quality.)\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/19\/2013\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Wes Montgomery","offers":[{"title":"Default Title","offer_id":50558304452839,"sku":"TW4KNA-MYEH-00","price":26.38,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/wes-montgomery-full-house-1-bonus-track_BnqX6.jpg?v=1740670940"},{"product_id":"grateful-dead-two-from-the-vault-4-lps","title":"Grateful Dead Two from the Vault (4 Lp's)","description":"\u003cp\u003eFirst time ever on vinyl! Limited four vinyl LP pressing in a gatefold Stoughton 'tip-on' M-Pack jacket. Following on the heels of Light in the Attic's vinyl LP release of ONE FROM THE VAULT comes the next in the trilogy of FROM THE VAULT releases by the Grateful Dead. These releases are distinguished from the more abundant DICK'S PICKS series in that DICK'S PICKS are 'direct from the soundboard' recordings, while the FROM THE VAULT series were professionally recorded on multi-track tape and then mixed down (decades) later for release. Recorded live at the Shrine Auditorium (Los Angeles) in 1968, this is the worldwide vinyl debut release of this legendary show featuring the 6 piece line-up of Pigpen, Garcia, Weir, Lesh, Kruetzmann, and Hart, freshly remastered in 2014 by Joe Gastwirt for maximum mind expansion. Nine dynamic songs on eight sides of wax - five songs weigh in around the 15-minute mark, while three others touch down close to 10 minutes. This is the Dead at their most improvisational while still retaining the Blues-Rock roots of the 'Pigpen' years.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/07\/2014\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Grateful Dead","offers":[{"title":"Default Title","offer_id":50558309400807,"sku":"5JDA7U-H80O-00","price":106.57,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/grateful-dead-two-from-the-vault-4-lps_MSuOg.jpg?v=1740670075"},{"product_id":"metallica-metallica-remastered-deluxe-box-set5lp14cd6dvd","title":"Metallica Metallica (Remastered Deluxe Box Set)(5LP)(14CD)(6DVD)","description":"\u003cp\u003eMetallica (Remastered Deluxe Box Set)(5LP)(14CD)(6DVD) is a Records \u0026amp; LPs from Metallica\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 09\/10\/2021\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Metallica","offers":[{"title":"Default Title","offer_id":50558309466343,"sku":"3PP1O0-MHEZ-00","price":308.86,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/metallica-metallica-remastered-deluxe-box-set5lp14cd6dvd_LqUcv.jpg?v=1740670033"},{"product_id":"red-hot-chili-peppers-stadium-arcadium-4-lps","title":"Red Hot Chili Peppers Stadium Arcadium (4 Lp's)","description":"\u003cp\u003eAn ambitious double album, STADIUM ARCADIUM finds the Red Hot Chili Peppers building on their more mature, latter-day approach, while also acknowledging their lighthearted, youthful sound. The Los Angeles-based funk-rock quartet's third studio outing since John Frusciante returned to the fold, this 2006 release once again reinforces how crucial the guitarist is to the Peppers' aesthetic, with his mix of swirling, psychedelic leads and heavy riffs providing the perfect foil to Flea's bold bass heroics. (Instrumentally, the record also benefits from guest appearances by Mars Volta guitarist Omar Rodriguez, percussionists Paulinho Da Costa and Lenny Castro, and the legendary Billy Preston on clavinet.) Remarkably consistent for a two-disc, 28-song offering, STADIUM ARCADIUM kicks off with \"Dani California,\" an energetic track that hints at a Beatles influence, while showcasing vocalist Anthony Kiedis's neo-rap delivery and the tight rhythmic interplay of Flea and drummer Chad Smith. Other highlights of this collection include the emotive \"Wet Sand\" and the frenetic \"Torture Me,\" which provide nice counterpoints to loose, limber tunes such as the funk workouts \"Hump De Bump\" and \"C'mon Girl.\" In many ways a culmination of the Chili Peppers' decades-spanning musical evolution, STADIUM ARCADIUM stands as one of the group's most impressive efforts.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 1\/30\/2007\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Red Hot Chili Peppers","offers":[{"title":"Default Title","offer_id":50558309597415,"sku":"UM7E2G-1W7K-00","price":169.01,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/red-hot-chili-peppers-stadium-arcadium-4-lps_gspS0.jpg?v=1740670988"},{"product_id":"the-beatles-let-it-be-special-edition-super-deluxe-4-lp-12-ep-box-set","title":"The Beatles Let It Be Special Edition [Super Deluxe 4 LP + 12\" EP Box Set]","description":"\u003cp\u003eLet It Be Special Edition [Super Deluxe 4 LP + 12\" EP Box Set] is a Records \u0026amp; LPs from The Beatles\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/15\/2021\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Beatles","offers":[{"title":"Default Title","offer_id":50558309630183,"sku":"TUTUHU-36V5-PU","price":194.68,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/the-beatles-let-it-be-special-edition-super-deluxe-4-lp-12-ep-box-set_mlUCT.jpg?v=1740670062"},{"product_id":"norah-jones-come-away-with-me-20th-anniversary-super-deluxe-4-lp","title":"Norah Jones Come Away With Me (20th Anniversary) [Super Deluxe 4 LP]","description":"\u003cp\u003eSuper Deluxe four vinyl LP pressing contains the remastered album plus 22 previously unreleased tracks including early demos and the never-before-heard first version of the album. Norah went into Allaire Studios near Woodstock in upstate New York with some of her favorite musicians including Bill Frisell and Kevin Breit on guitars, Brian Blade and Kenny Wollesen on drums, Rob Burger on accordion and organ, and Alexander on bass. \"Nearly everything we recorded felt special. We re-recorded most of the songs from the demos to see where else we could take them,\" Norah recalls. But during the mixing session Norah began to question whether they had gone too far with some of the songs. It was decided that Norah should go back into the studio to start again with Arif Mardin producing. They ended up keeping three songs from the Allaire sessions (\"Seven Years,\" \"Feelin' The Same Way,\" and \"The Long Day Is Over\"), two from the demo sessions (\"Don't Know Why\" and \"Turn Me On\"), and recorded nine additional songs that hewed more closely to the spirit of the demos. The resulting album became Come Away With Me. As Norah reflects back upon Come Away With Me, she says \"I was incredibly proud of this album and so thankful to everyone who made it with me... I figured it was a good first try and felt that it truly captured who I was - musically - at that time, which made me the proudest and is all you can really hope for when making a record. In the end I was so thankful that I got to explore a few different paths before putting them all together. No one, including the label, had any idea it would reach the success that it did. I'm forever grateful to Bruce and the very special team at Blue Note for giving me the chance to find my sound through all of it and for never telling me who I had to be.\"\u003c\/p\u003e\r\n\r\n\u003cp\u003eTracks\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.1 ** Come Away With Me – 20th Anniversary Remaster 1.2 Don’t Know Why 1.3 Seven Years 1.4 Cold Cold Heart 1.5 Feelin’ The Same Way 1.6 Come Away With Me 1.7 Shoot The Moon 1.8 Turn Me On 1.9 Lonestar 1.10 I’ve Got To See You Again 1.11 Painter Song 1.12 One Flight Down 1.13 Nightingale 1.14 The Long Day Is Over 1.15 The Nearness Of You 2.1 ** The Demos 2.2 Spring Can Really Hang You Up the Most 2.3 Walkin’ My Baby Back Home 2.4 World of Trouble 2.5 ** First Sessions Outtakes 2.6 The Only Time 2.7 I Didn’t Know About You 2.8 Something Is Calling You (tabla version) 2.9 Just Like A Dream Today 2.10 When Sunny Gets Blue 2.11 What Am I To You 2.12 Hallelujah I Love Him So 2.13 Daydream 2.14 ** First Sessions EP 2.15 Don’t Know Why 2.16 Come Away With Me 2.17 Something Is Calling You 2.18 Turn Me On 2.19 Lonestar 2.20 Peace 3.1 ** The Allaire Sessions - These 6 demos previously released as the promo-only First Sessions EP 3.2 I’ll Be Your Baby Tonight 3.3 I’ve Got To See You Again * alternate version 3.4 What Would I Do 3.5 Come Away With Me * alternate version 3.6 Picture In A Frame ** alternate mix 3.7 Nightingale * alternate version 3.8 Peace * alternate version 3.9 What Am I To You * alternate version 3.10 Painter Song * alternate version 3.11 Turn Me On * alternate version 3.12 A Little At A Time 3.13 One Flight Down * alternate version 3.14 Fragile\u003c\/p\u003e\r\n\r\n\u003cp\u003eNumber of Tracks: 49\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 4\/29\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Norah Jones","offers":[{"title":"Default Title","offer_id":50558310514919,"sku":"0T7TPV-G7BA-00","price":208.97,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/norah-jones-come-away-with-me-20th-anniversary-super-deluxe-4-lp_sHly5.jpg?v=1740670105"},{"product_id":"rush-moving-pictures-40th-anniversary-deluxe-5-lp","title":"Rush Moving Pictures (40th Anniversary) [Deluxe 5 LP]","description":"\u003cp\u003eMoving Pictures (40th Anniversary) [Deluxe 5 LP] is a Records \u0026amp; LPs from Rush\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 04\/15\/2022\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rush","offers":[{"title":"Default Title","offer_id":50558310908135,"sku":"Q7MSB3-IK69-00","price":126.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/rush-moving-pictures-40th-anniversary-deluxe-5-lp_4Es4S.jpg?v=1740670113"},{"product_id":"various-artists-8-mile-music-from-and-inspired-by-the-motion-picture-deluxe-edition-4-lp","title":"Various Artists 8 Mile (Music From And Inspired By The Motion Picture) [Deluxe Edition 4 LP]","description":"\u003cp\u003e8 Mile (Music From And Inspired By The Motion Picture) [Deluxe Edition 4 LP] is a Records \u0026amp; LPs from Various Artists\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 04\/14\/2023\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":50558311006439,"sku":"P2FEYT-PEUD-00","price":107.87,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/various-artists-8-mile-music-from-and-inspired-by-the-motion-picture-deluxe-edition-4-lp_D44KQ.jpg?v=1740670087"},{"product_id":"rush-signals-40th-anniversary-limited-edition-deluxe-edition-with-cd-with-blu-ray","title":"Rush Signals (40th Anniversary) (Limited Edition, Deluxe Edition, With CD, With Blu-ray)","description":"TracksCredits\r\n- Disc 1 -\r\n1 * Half-Speed DMM Vinyl\r\n2 Subdivisions\r\n3 The Analog Kid\r\n4 Chemistry\r\n5 Digital Man\r\n6 The Weapon\r\n7 New World Man\r\n8 Losing It\r\n9 Countdown\r\n- Disc 2 -\r\n1 * CD 2015 Remaster\r\n2 Subdivisions\r\n3 The Analog Kid\r\n4 Chemistry\r\n5 Digital Man\r\n6 The Weapon\r\n7 New World Man\r\n8 Losing It\r\n9 Countdown\r\n- Disc 3 -\r\n1 * 7\"\r\n2 Subdivisions \/ Red Barchetta (Live)\r\n3 Countdown \/ New World Man\r\n4 New World Man \/ Vital Signs (Live)\r\n5 New World Man (Single Edit) \/ Digital Man\r\n- Disc 4 -\r\n1 * Blu-ray Audio\r\n2 Subdivisions\r\n3 The Analog Kid\r\n4 Chemistry\r\n5 Digital Man\r\n6 The Weapon\r\n7 New World Man\r\n8 Losing It\r\n9 Countdown\r\n10 * Bonus Videos\r\n11 Subdivisions\r\n12 Countdown\u003cul\u003e\n\u003cli\u003eReleased: 04\/28\/2023\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rush","offers":[{"title":"Default Title","offer_id":50558311825639,"sku":"ZV0CT9-3CDM-00","price":226.04,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/rush-signals-40th-anniversary-limited-edition-deluxe-edition-with-cd-with-blu-ray_wuUbn.jpg?v=1740670161"},{"product_id":"jimi-hendrix-experience-the-jimi-hendrix-experience-180-gram-vinyl-boxed-set-8-lps","title":"Jimi Hendrix Experience The Jimi Hendrix Experience (180 Gram Vinyl, Boxed Set) (8 Lp's)","description":"\u003cp\u003eTHE JIMI HENDRIX EXPERIENCE [BOX] consists principally of previously unreleased alternate takes \u0026amp; mixes, studio demos and live tracks, and comes with an 80-page booklet.Personnel includes: Jimi Hendrix (vocals, guitar, harpsichord, bass); Larry Lee (guitar); Paul Caruso (harmonica); Larry Young (organ); Billy Cox, Noel Redding (bass, background vocals); Buddy Miles, Mitch Mitchell (drums, percussion, background vocals); Juma Sulton, Jerry Velez (percussion); Graham Nash, Andy Fairweather Low, Steve Winwood, Chris Wood, Arthur \u0026amp; Albert Allen, Chas Chandler, Gary Walker, The Ronettes, Roger Chapman (background vocals).Producers: Jimi Hendrix, Rune Hallberg, Chas Chandler, Lou Adler.Compilation producers: Janie Hendrix, Eddie Kramer, John McDermott.Engineers include: Eddie Kramer, RTE, Gary Kellgren.Includes liner notes by Dave Marsh \u0026amp; John McDermott.Digitally remastered by Eddie Kramer \u0026amp; George Marino (Sterling Sound, New York, New York).The Hendrix family continues its reissue campaign with the release of The Jimi Hendrix Experience, a lavish four-disc box set that should be a boon to Hendrix collectors everywhere. With a beautiful 80-page booklet, and purporting to have 46 unreleased tracks, further inspection actually reveals less than meets the eye, at least for collectors.The problem is that real collectors have already heard most of this material, and not only through bootleg sources. Many of the previously unreleased tracks are just new mixes of live tracks that were issued as part of Stages, Live at Monterey, and Lifelines. Also included is a new mix of the \"Gloria\" single. While the sound quality is somewhat better (handled by the expert Eddie Kramer), the new mixes do not differ substantially from the earlier versions. With the inclusion of virtually all of In the West, and a few quality tracks from Rainbow Bridge and Crash Landing (without the wretched mid-'70s overdubs), The Jimi Hendrix Experience almost seems like a shelf-clearing exercise, taking care of the leftover tracks that fans have been clamoring for en masse.The real highlights of the set are the early studio outtakes, presumably from the cache that Chas Chandler withheld from Alan Douglas for so many years. Interestingly, one of the most enjoyable aspects of these studio outtakes is the control room banter that takes place. There isn't a ton of it, but there are some highly enjoyable moments. At the end of \"Purple Haze,\" Hendrix starts to giggle and throws in \"Mary Had a Little Lamb.\" The version of \"Third Stone From the Sun\" has Chandler and Hendrix's recording of the spoken bits used on the song, tacked on to the beginning. It's great to hear Hendrix cracking up throughout their interstellar conversation.Another moment subtly hints at the frictions that were to end up dissolving the Chandler-Hendrix partnership. After seven minutes of take 21 of \"Bold As Love,\" Hendrix is heard to say, \"let's try it one more time, alright?\" to which Chas Chandler dejectedly replies \"oooohh.\"The book itself is wonderful; all tracks are fully documented and annotated, with lots of photos, many previously unpublished. There are also recording studio log sheets, newspaper articles, poster\/flyers, and Hendrix's handwritten lyrics reproduced. All in all, The Jimi Hendrix Experience is a fine addendum to the Hendrix legacy, but not the place to start; this is a set for someone who already has the studio albums and can't get enough of his genius. The disappointment a hardcore collector might feel at having heard most of this material already should be outweighed by the beautiful, warm sound achieved by Eddie Kramer and the general high quality of the package. ~ Sean Westergaard\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/27\/2017\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jimi Hendrix Experience","offers":[{"title":"Default Title","offer_id":50558312349927,"sku":"7NFQQG-N6K7-00","price":210.56,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/jimi-hendrix-experience-the-jimi-hendrix-experience-180-gram-vinyl-boxed-set-8-lps_G9aIz.jpg?v=1740670979"},{"product_id":"deftones-white-pony-20th-anniversary-deluxe-edition-super-deluxe-4lp-2cd-2-double-lps","title":"Deftones White Pony (20th Anniversary Deluxe Edition; Super Deluxe; 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Lee\r\n5 Trust Me - Guru, N'dea Davenport\r\n6 Season for Change - Ronny Jordan, Guru\r\n7 Season for Change - DJ Krush, Ronny Jordan, Guru\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eReleased: 05\/18\/2018\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Guru","offers":[{"title":"Default Title","offer_id":50558313332967,"sku":"YJA6Q1-1JK0-UH","price":86.14,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/guru-jazzmatazz-vol-1-deluxe-edition-box-set-3-lps_vPJhf.jpg?v=1740670959"},{"product_id":"mariah-carey-the-rarities-box-set","title":"Mariah Carey The Rarities (Box Set)","description":"\u003cp\u003eThe Rarities (Box Set) is a Records \u0026amp; LPs from Mariah Carey\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 03\/10\/2023\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mariah Carey","offers":[{"title":"Default Title","offer_id":50558313890023,"sku":"0IHBPS-T5Q9-00","price":122.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/mariah-carey-the-rarities-box-set_8edbK.jpg?v=1740670365"},{"product_id":"sade-this-far-oversize-item-split-boxed-set-180-gram-vinyl-remastered","title":"Sade This Far (Oversize Item Split, Boxed Set, 180 Gram Vinyl, Remastered)","description":"\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-GB\"\u003ePRODUCT DESCRIPTION\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan lang=\"EN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan lang=\"EN\"\u003eThis boxset features remastered versions of all of Sade’s studio albums to date, on pure 180-gram black vinyl – the first complete collection of their studio work up to the present day. All six of the band’s acclaimed albums: Diamond Life (1984), Promise (1985), Stronger Than Pride (1988), Love Deluxe (1992), Lovers Rock (2000), and Solder Of Love (2010) are packaged into the beautifully finished, white case-bound box. Revisiting the audio, the band \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eand Miles Showell \u003c\/span\u003e\u003cspan lang=\"EN\"\u003eworked from high resolution digital transfers of the stereo master mixes, from the original analogue studio tapes, remastered at half-speed at Abbey Road Studios. The elaborate, half-speed mastering process has produced exceptionally clean and detailed audio whilst remaining faithful to the band’s intended sound. No additional digital limiting was used in the mastering process, so the six albums benefit from the advantage of extra clarity and pure fidelity, preserving the dynamic range of the original mixes for the very first time. The six album sleeves have been meticulously reproduced in exact detail with authentic paper and printing methods, perfectly replicated for the first time since their original release.\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eOver an exceptional career spanning more than three decades, Sade’s six albums have amassed over 60 million worldwide sales and have been certified platinum 24 times over. Producing singles such as \u003cspan lang=\"EN-GB\"\u003e‘\u003c\/span\u003eYour Love Is King\u003cspan lang=\"EN-GB\"\u003e’, ‘\u003c\/span\u003eSmooth Operator\u003cspan lang=\"EN-GB\"\u003e’, \u003c\/span\u003eand \u003cspan lang=\"EN-GB\"\u003e‘\u003c\/span\u003eBy Your Side\u003cspan lang=\"EN-GB\"\u003e’\u003c\/span\u003e, Sade have gone on to achieve Number 1 albums across the world, collected several Grammys, MTV Video Music Awards, and a BRIT Award along the way, quietly taking their “\u003cspan lang=\"EN-GB\"\u003eplace in the pantheon of cultural influence” [New York Times, October 2017]. 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Smooth Operator\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan lang=\"EN-GB\"\u003e2. Your Love Is King\u003cbr\u003e3. Hang on to Your Love\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan\u003e4. Frankie's First Affair\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan\u003e5. When Am I Going to Make A Living\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan lang=\"EN-GB\"\u003eSide B\u003cbr\u003e1. Cherry Pie\u003cbr\u003e2. Sally\u003cbr\u003e3. I Will Be Your Friend\u003cbr\u003e4. Why Can't We Live Together\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-GB\"\u003ePromise\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eSide A\u003cbr\u003e1. Is It A Crime\u003cbr\u003e2. The Sweetest Taboo\u003cbr\u003e3. War Of The Hearts\u003cbr\u003e4. Jezebel\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eSide B\u003cbr\u003e1. Mr Wrong\u003cbr\u003e2. Never As Good As The First Time\u003cbr\u003e3. Fear\u003cbr\u003e4. Tar Baby\u003cbr\u003e5. Maureen\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-GB\"\u003eStronger Than Pride\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eSide A\u003cbr\u003e1. Love Is Stronger Than Pride\u003cbr\u003e2. Paradise\u003cbr\u003e3. Nothing Can Come Between Us\u003cbr\u003e4. Haunt Me\u003cbr\u003e5. Turn My Back On You\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eSide B\u003cbr\u003e1. Keep Looking\u003cbr\u003e2. Clean Heart\u003cbr\u003e3. Give It Up\u003cbr\u003e4. 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Cherish The Day\u003cbr\u003e3. Pearls\u003cbr\u003e4. Bullet Proof Soul\u003cbr\u003e5. 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The Moon And The Sky\u003c\/span\u003e\u003c\/span\u003e   \u003cbr\u003e2. \u003cspan\u003e\u003cspan\u003eSoldier Of Love\u003c\/span\u003e\u003c\/span\u003e   \u003cbr\u003e3. \u003cspan\u003e\u003cspan\u003eMorning Bird\u003c\/span\u003e\u003c\/span\u003e   \u003cbr\u003e4. \u003cspan\u003e\u003cspan\u003eBabyfather\u003c\/span\u003e\u003c\/span\u003e   \u003cbr\u003e5. \u003cspan\u003e\u003cspan\u003eLong Hard Road\u003c\/span\u003e\u003c\/span\u003e   \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eSide B\u003cbr\u003e1. \u003cspan\u003e\u003cspan\u003eBe That Easy\u003c\/span\u003e\u003c\/span\u003e   \u003cbr\u003e2. \u003cspan\u003e\u003cspan\u003eBring Me Home\u003c\/span\u003e\u003c\/span\u003e   \u003cbr\u003e3. \u003cspan\u003e\u003cspan\u003eIn Another Time\u003c\/span\u003e\u003c\/span\u003e   \u003cbr\u003e4. \u003cspan\u003e\u003cspan\u003eSkin\u003c\/span\u003e\u003c\/span\u003e   \u003cbr\u003e5. \u003cspan\u003e\u003cspan\u003eThe Safest Place\u003c\/span\u003e\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBest Sellers: Top50\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/9\/2020\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sade","offers":[{"title":"Default Title","offer_id":50558313922791,"sku":"WQNTTD-GJSB-00","price":257.4,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/sade-this-far-oversize-item-split-boxed-set-180-gram-vinyl-remastered_jWklC.jpg?v=1740670974"},{"product_id":"dave-matthews-tim-reynolds-live-at-luther-college-150-gram-vinyl-boxed-set-download-insert-4-lps","title":"Dave Matthews \u0026 Tim Reynolds Live At Luther College (150 Gram Vinyl, Boxed Set, Download Insert) (4 Lp's)","description":"\u003cp\u003ePersonnel: Dave Matthews, Tim Reynolds. Recorded live at CFL Theatre, Luther College, Decorah, Iowa on February 6, 1996. Matthews built his career on a grassroots level by wowing audiences with his high energy performances, so this live album seems like a natural step. What's surprising is that a bandleader who's made his reputation largely on the strength of his band (and of course, his considerable songwriting skills) should hit the road without them. The revelation here is that even when the violin, bass, drums, etc. are stripped away, the songs still work well. \"Satellite,\" \"What Would You Say\" and the other Dave Matthews Band tunes contained on this generous double-disc still brim with inventiveness and immediacy thanks to Matthew's heartfelt, urgent delivery and quirky compositional style. 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(Digital Download Card) (2 Lp's)","description":"\u003cp\u003eNxWorries appeared in early 2015 on Stones Throw with \"Suede.\" Knxwledge provided the dazed production, its beat a clipped gait -- Gil Scott-Heron\/Brian Jackson's \"The Bottle\" stretched and dragged to support Anderson Paak's freewheeling vehicular exhibition and macking seminar. Dr. Dre then sought Paak for extensive work on Compton, while the rising Knxwledge produced \"Momma\" on To Pimp a Butterfly and released a Stones Throw album. As Paak and Knxwledge sustained their prominence with separate collaborative and solo work, their activity as a unit gradually escalated to this full-length, released during the fourth quarter of 2016. It includes \"Suede,\" two other cuts from an EP originally released as a download in late 2015, and 40 additional minutes of keenly bent and smudged soul loops. Though Paak is an accomplished musician and bandleader, as seen throughout 2016 in several televised performances to promote Malibu, he sticks strictly to singing and rapping, leaving Knxwledge to handle all the music. Reflective of their collaborative alias, Paak doesn't sound particularly bothered, apart from some irritation related in \"H.A.N.,\" a deflection of leeches and critics, and some serious concerns and confessions within the supremely dreamy \"Khadijah.\" Otherwise, he keeps it lighthearted as an irrepressible rolling stone. Audibly and lyrically coarse, he rarely sounds less than entirely self-satisfied and at least a little amused, whether he's dealing out wisecracking wordplay or quoting J Dilla as he deftly coasts over and darts between the beats. If not quite as substantive as Malibu, this is one of those albums that can be played continuously without risk of depreciation. Knxwledge and Paak are so occupied with other pursuits that this seems destined to take its place in the Stones Throw discography as one of the label's fine twosome one-offs in the manner of Madvillainy and Champion Sound. ~ Andy Kellman\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 10\/21\/2016\u003c\/li\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2LP\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nxworries \/ Knxwledge \/ Anderson Paak","offers":[{"title":"Default Title","offer_id":50558367105255,"sku":"V4KNDY-T5C9-00","price":27.17,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/nxworries-knxwledge-anderson-paak-yes-lawd-digital-download-card-2-lps_2qhOg.jpg?v=1740498742"},{"product_id":"tyler-the-creator-prophet-peach-fuzz-picture-disc","title":"Tyler, The Creator \u0026 Prophet Peach Fuzz (PICTURE DISC)","description":"10-inch, peach shaped picture disc of Tyler, the Creator “Peach Fuzz” b\/w Prophet “Wanna Be Your Man” on Stones Throw Records.\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/05\/2021\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top500\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 10\" Vinyl Die-cut picture disc\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tyler, The Creator \u0026 Prophet","offers":[{"title":"Default Title","offer_id":50558367138023,"sku":"0Y9N6H-VZSV-9M","price":37.62,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/tyler-the-creator-prophet-peach-fuzz-picture-disc_CFvxE.jpg?v=1740497702"},{"product_id":"madvillainy-instrumentals","title":"Madvillainy Instrumentals","description":"Madvillainy without the raps is still a classic. Double vinyl now with cover sleeve, Madlib taking his place on the cover with a photo of Doom's mask during the making of the album on back. Pics: Eric Coleman. Design: Jeff Jank\u003cul\u003e\n\u003cli\u003eReleased: 02\/28\/2012\u003c\/li\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Madvillainy","offers":[{"title":"Default Title","offer_id":50558367301863,"sku":"KJYUHH-YTDT-00","price":38.31,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/madvillainy-instrumentals_jygAZ.jpg?v=1740669997"},{"product_id":"kendrick-lamar-untitled-unmastered","title":"Kendrick Lamar Untitled Unmastered","description":"\u003cp\u003eIssued without advance notice 17 days after Kendrick Lamar's riveting 2016 Grammy Awards performance, untitled unmastered. consists of eight demos that are simply numbered and dated. Apart from segments previewed at the Grammys and late-night television appearances, there was no formal promotion. A postscript, it's (artfully) artless in presentation -- not even basic credits appear on the Army green liner card in the compact disc edition -- yet it's almost as lyrically and musically rich as To Pimp a Butterfly. The dates indicate that the majority of the material was made during the sessions for that album, and the presence of many of its players and vocalists is unmistakable. This was assembled with a high level of care that is immediately evident, its components sequenced to foster an easy listen. Track-to-track flow, however, is about the only aspect of this release that can be called smooth. After an intimate spoken intro from Bilal, the set segues into an urgent judgment-day scenario with squealing strings and a resounding bassline as Lamar confronts mortality and extinction with urgent exasperation. He observes terrifying scenes all the while sensing possible relief (\"No more running from world wars,\" \"No more discriminating the poor\"). untitled unmastered. offers this and other variations on the connected themes of societal ills, faith, and survival that drove the output it follows, with Lamar at his best when countering proudly materialistic boasts with ever-striking acknowledgments of the odds perilously weighted against his people. Remarkably, this hits its stride in the second half. The stretch involves a rolling, ornamented retro-contemporary production from Adrian Younge and Ali Shaheed Muhammad (with vocal assists from Bilal and Cee Lo Green), a stitched suite that is alternately stern and humorously off the cuff (featuring Egypt, five-year-old son of Alicia Keys and Swizz Beatz, as co-producer and vocalist), and a finale of Thundercat-propelled funk. Even while coasting over the latter's breezy and smacking groove, Lamar fills the space with meaning, detailing a confrontation with sharp quips and stinging reprimands. While Lamar referred to these tracks as demos, and not one of them has the pop-soul appeal of \"These Walls\" or the Black Lives Matter protest-anthem potential of \"Alright,\" untitled unmastered. is no mere offcut dump. It's as vital as anything else its maker has released. ~ Andy Kellman\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 5\/27\/2016\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":50558367858919,"sku":"XCSZJL-VTZH-00","price":32.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/Kendrick-Lamar-Untitled-Unmastered_sCHt3.jpg?v=1740154827"},{"product_id":"kendrick-lamar-damn","title":"Kendrick Lamar Damn","description":"\u003cp\u003eTo Pimp a Butterfly's proper and oft-biblical follow-up arrived on Good Friday, 13 months after untitled unmastered., an intermediary release that eclipsed the best work of most contemporary artists. If Kendrick Lamar felt pressure to continue living up to his previous output, there's no evidence on DAMN. He's too occupied tracing the spectrum of his mental states, from \"boxin' demons\" to \"flex on swole,\" questioning and reveling in his affluence, castigating and celebrating his bloodline, humble enough to relate his vulnerabilities, assured enough to proclaim \"Ain't none of y'all fuckin' with the flow.\" Throughout, he intensely examines most of the seven deadly sins, aware all along that his existence is threatened by anyone who objects to the color of his skin or clothes -- or, in the case of the blind stranger who shoots him during the album's opener, nothing that is apparent. Compared to the maximum-capacity, genre-twisting vastness and winding narratives of Good Kid, M.A.A.D. City and To Pimp a Butterfly, DAMN. on the surface seems like a comparatively simple rap album that demands less from the listener. There's relative concision in the track titles and material, and a greater emphasis on commercial sounds -- such as Mike WiLL's lean and piano-laced trap beat for the strong-arming \"HUMBLE.,\" Lamar's first Top Ten pop hit, and a couple productions that are merely functional backdrops lacking distinction. In a way, however, DAMN. is just as lavish and singular as the preceding albums, its quantity and weight of thoughts and connected concepts condensed into a considerably tighter space. It contains some of Lamar's best writing and performances, revealing his evolving complexity and versatility as a soul-baring lyricist and dynamic rapper. Although it's occasionally distorted, stretched, smeared, and reversed to compelling and imagination-fueling effect, his voice is at its most affecting in its many untreated forms. Take \"FEAR.,\" in which he switches between echoing hot-blooded parental threats to enumerating, with a 40-acre stare, various death scenarios. His storytelling hits an astonishing new high on \"Duckworth,\" the album's finale. Over ethereal funk sewn by 9th Wonder, Lamar details a potentially tragic encounter between his father and future Top Dawg CEO Anthony Tiffith -- and the conditions leading to it -- that occurred long before Kung Fu Kenny was known as K. Dot. ~ Andy Kellman\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eRSD Release Date: n\/a\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/14\/2017\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":50558368317671,"sku":"MBBEEA-FMK3-00","price":44.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/Kendrick-Lamar-Damn_RBpTY.jpg?v=1740670014"},{"product_id":"kanye-west-college-dropout","title":"Kanye West College Dropout","description":"\u003cp\u003ePersonnel: Kanye West, CLC, Consequence, Jay-Z, J. Ivy, Talib Kweli, Twista, Ludacris, Mos Def, Freeway (rap vocals); Jamie Foxx (spoken vocals); The Harlem Boys Choir, Syleena Johnson (background vocals). Producers: Kanye West, Brian Miller, Miri Ben-Ari.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor most artists who are discovered behind the mixing boards, making the transfer from producer to MC proves a daunting task. Fortunately for Kanye West, his verbal skills more than rise to the challenge of his consistently superior beats. A sprawling concept record that tackles issues of everyday life with wisecracking humor and unexpected honesty, THE COLLEGE DROPOUT confirms West's status as one of hip-hop's most refreshing voices. The leadoff single, \"Through the Wire,\" perfectly exemplifies West's distinct vision. Recorded while his jaws were still wired shut after a near-fatal car accident, West hilariously reflects upon his predicament over a sped-up Chaka Khan sample. Other songs address potentially somber topics--ghetto life (\"We Don't Care\"), religion (\"Jesus Walks\"), and family turmoil (\"Family Business\")--yet somehow retain a truly hopeful spirit. Although THE COLLEGE DROPOUT features top-notch cameos from Talib Kweli, Common, Mos Def, Freeway, Jay-Z, Ludacris, and Twista, it's clearly West's show.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 2\/24\/2004\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top50\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kanye West","offers":[{"title":"Default Title","offer_id":50558368579815,"sku":"Y6P1T0-NNR6-00","price":40.66,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/college-dropout_rE3rf.jpg?v=1746591129"},{"product_id":"mac-miller-circles-clear-vinyl-poster-2-lps","title":"Mac Miller Circles (Clear Vinyl, Poster) (2 Lp's)","description":"\u003cp\u003eBrand New Sealed | Mac Miller | Circles (Clear Vinyl, Poster) LP | Vinyl | Release Date: 05\/29\/2020\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 05\/29\/2020\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top2000\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mac Miller","offers":[{"title":"Default Title","offer_id":50558368841959,"sku":"8P4161-89B0-00","price":45.96,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/mac-miller-circles-clear-vinyl-poster-2-lps_gXkoF.jpg?v=1740671011"},{"product_id":"mac-miller-the-divine-feminine-explicit-content","title":"Mac Miller The Divine Feminine [Explicit Content]","description":"\u003cp\u003eAs a way to illustrate the sincerity implied in its title, The Divine Feminine begins and ends with the voices of women. Ariana Grande introduces Mac Miller's first Warner Bros. release, and in its conclusion, Miller's grandmother details with fondness the history of her relationship with her husband. In between the two tracks, to the point of compulsion, Miller frequently notes his aptitude in the bedroom and his insatiable appetite therein, or wherever else the mood strikes. Crass as it frequently is, the bulk of the album nonetheless has more to do with loving relationships than most releases from the manchild R\u0026amp;B classes of 2011-2016. Miller even sings a higher percentage of his words in his limited and sincere drawl, rhapsodizing \"You just don't know how beautiful you are\" on \"My Favorite Part,\" a clean duet with new flame Grande that sounds like it could be an Anthony Hamilton cover. Miller's producers are in accordance with all the lovestruck sentiments. They outfit the songs with twirling strings, punching horns, and lively pianos, the last of which is provided by Robert Glasper on the woozy, Kendrick Lamar-assisted \"God Is Fair, Sexy, Nasty.\" In the dazed but laser-focused ballad \"Skin,\" there's a recurring impassioned saxophone line, and at one point it punctuates Miller's purr of \"I open up your legs and go straight for your heart.\" The album's first half is highlighted by another Anderson Paak collaboration, \"Dang!,\" a sharp hybrid of horn-flecked funk and spangly house. It's surpassed during the second half by the combination of \"Soulmate,\" a sticky\/slippery D?m-Funk production, and \"We,\" a beatific mellow groove elevated by the harmonious voices of CeeLo Green and Thundercat. At all times, Miller and his associates are on the same page. Another aspect that makes this the rapper's most fulfilling album is that all the lines about being saved and in awe seem to be expressed with as much ease as the anatomical references, like they're plain facts, not wrenching confessions. ~ Andy Kellman\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003cli\u003eReleased: 12\/09\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mac Miller","offers":[{"title":"Default Title","offer_id":50558369562855,"sku":"Z5YE62-KSF5-00","price":45.96,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/mac-miller-the-divine-feminine-explicit-content_ZYumv_d061a8a8-f432-415f-9c56-a102df4aaf52.jpg?v=1740670030"},{"product_id":"jackboys-jackboys","title":"Jackboys Jackboys","description":"\u003cp\u003eVinyl LP pressing. Jackboys is a compilation album by Jackboys and American rapper Travis Scott. Jackboys is a collective and group of American rappers signed to Scott's Cactus Jack Records, which is made up of Scott himself, Sheck Wes, Don Toliver, Luxury Tax, and Scott's DJ, Chase B, and Pop Smoke. The album was released on December 27, 2019. It features guest appearances from Rosalía, Lil Baby, Quavo and Offset from the trap trio Migos, Young Thug, and Pop Smoke.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 05\/01\/2020\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jackboys","offers":[{"title":"Default Title","offer_id":50558369661159,"sku":"JTNIFY-9OMM-00","price":24.05,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/Jackboys-Jackboys_zvBEI.jpg?v=1740671123"},{"product_id":"mac-miller-faces-colored-vinyl-yellow-3-lp","title":"Mac Miller Faces (Colored Vinyl, Yellow) 3 LP","description":"\u003ch4 class=\"aec-desc-label\"\u003eDESCRIPTION\u003c\/h4\u003e\r\n\r\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\r\n\u003cp\u003eMAC MILLER \/ FACES - Faces yellow edition vinyl. Includes 1 bonus trackFaces yellow edition vinyl. Includes 1 bonus track - Mac Miller has accomplished every goal he ever set for himself. At least that's what the magazines say about the Pittsburgh kid, and they're right enough. With his first album he became a grassroots rap megastar. With his second he bared his weird soul and was praised for it. His 11 mixtapes boast a couple bucket lists' worth of collaborators, from Bun B and Kendrick Lamar to Rick Ross and Juicy J. And in the same year that he toured the U.S. backed by a psychedelic soul band, he rapped all over Europe with Lil Wayne and 2 Chainz. He did indie. He's doing major. He even bought himself a ridiculous house in the Los Angeles hills and made a TV show about it. Hell, he made a jazz record.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli class=\"discnum\"\u003e- Disc 1 -\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Inside Outside\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Here We Go\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Friends - Featuring - Schoolboy Q\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e Angel Dust - Featuring - King Ralph of Malibu\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e Malibu\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e What Do You Do - Featuring - Sir Michael Rocks\u003c\/li\u003e\r\n\t\u003cli class=\"discnum\"\u003e- Disc 2 -\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e It Just Doesn't Matter\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Therapy\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Polo Jeans - Featuring - Ab-Soul, Earl Sweatshirt\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e Happy Birthday\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e Wedding\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e Funeral\u003c\/li\u003e\r\n\t\u003cli class=\"discnum\"\u003e- Disc 3 -\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Diablo\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Ave Maria\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e 55 - Featuring - Thundercat\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e San Francisco\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e Colors and Shapes\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e Insomniak - Featuring - Rick Ross\u003c\/li\u003e\r\n\t\u003cli class=\"discnum\"\u003e- Disc 4 -\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Uber - Featuring - Mike Jones\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Rain - Featuring - Vince Staples\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Apparition\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e Thumbalina from the Block\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e New Faces - Featuring - Da$H, Earl Sweatshirt\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e Grand Finale\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cul\u003e\n\u003cli\u003eBest Sellers: Top50\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/15\/2021\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mac Miller","offers":[{"title":"Default Title","offer_id":50558369824999,"sku":"WSL5G1-0TL5-00","price":68.94,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/mac-miller-faces-colored-vinyl-yellow-3-lp_9vs2P.jpg?v=1740670891"},{"product_id":"eminem-the-marshall-mathers-lp2-explicit-content-2-lps","title":"Eminem The Marshall Mathers LP2 [Explicit Content] (2 Lp's)","description":"After centering himself with the confessional 2010 release Recovery, Eminem entered his forties while watching his beloved city of Detroit literally go bankrupt. The cover here displays this descent with an updated picture of the rapper's teenage home, first featured on the MM LP of 2000 but now boarded up, and yet this 8 Mile child cares much more about the present than the past, as this vicious, infectious, hilarious triumph is no nostalgia trip, just the 2013 version of Marshall the experienced maverick on a tear, dealing with the current state of events and kicking up dust with his trademark maniac attack while effortlessly juggling his over-40 wisdom with stuff you'd slap a teenager for saying. Key cut \"Rap God\" is the quintessential track as it blasts out homophobic cut-downs and other inexcusable lyrics, because Marshall's the \"Dale Earnhardt of the trailer park,\" but \"I still rap like I'm on my Pharoahe Monch grind,\" and suddenly his Stan Lee-like origin story begins to take shape. Marshall is a super villain so familiar with hate and depression, he's powered by all shades of anger. Be it pissing off the neighbors (rocking the house with a some Beastie Boys and Billy Squier samples on the Rick Rubin-produced party starter \"Bezerk\") or being threatened by critics (and his biggest ever, too, as \"Bad Guy\" revisits the MM LP character \"Stan\" via his revenge-obsessed brother Matthew), it all feeds into his super nova, and it's a unique spectacle when it explodes. It does so gloriously on the stately arena rap anthem \"Survival,\" which injects the listener with martial beats and a pre-game pep talk worth hearing. \"Asshole\" takes the decidedly low road to destruction, slapping girls \"off the mechanical bull, at a tractor pull\" while using controversy to make the front page, then offering the idea that he's \"white America's mirror, so don't feel awkward or weird,\" because there's no sense in leaving the sewer if you don't crawl out enlightened. Love it or hate it, nourishing his same old murder fantasies is what drives Eminem to make the vital music found here, and yet there's room for polished and clever frivolity on the album. The grand \"Love Game\" with Kendrick Lamar whips a Wayne Fontana \"Game of Love\"-sample into a thrilling swagger cut, while \"So Far.\" re-edits Joe Walsh's \"Life's Been Good\" so the Madden and MP3 generation can also understand the sweet irony of mansions filled with Kool-Aid-stained couches. Silly, manipulated voices and all, \"The Monster\" with Rihanna offers insight with its \"I get along with the voices inside my head\" attitude, then \"Headlights\" ups the game and offers mom an apology, referencing his earlier hit \"Cleaning Out My Closet\" and explaining it as an angry and irresponsible moment. Funny thing is, most of the best moments on MM LP2 are just as angry, and just as irresponsible, but like \"Closet,\" this is the tortured soul and self-reliance ninja known as Eminem at his very best. ~ David Jeffries\u003cul\u003e\n\u003cli\u003eReleased: 01\/21\/2014\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eminem","offers":[{"title":"Default Title","offer_id":50558369890535,"sku":"ZCYBYR-EK91-00","price":44.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/eminem-the-marshall-mathers-lp2-explicit-content-2-lps_vmaAq.jpg?v=1740670895"},{"product_id":"kendrick-lamar-good-kid-m-a-a-d-city","title":"Kendrick Lamar Good Kid: M.A.A.D City","description":"\u003cp\u003eHip-hop debuts don't come much more \"highly anticipated\" than Kendrick Lamar's. A series of killer mixtapes displayed his talent for thought-provoking street lyrics delivered with an attention-grabbing flow, and then there was his membership in the Black Hippy crew with his brethren Ab-Soul, Schoolboy Q, and Jay Rock all issuing solo releases that pleased the \"true hip-hop\" set, setting the stage for a massive fourth and final. Top it off with a pre-release XXL Magazine cover that he shared with his label boss and all-around legend Dr. Dre, and the \"biggest debut since Illmatic\" stuff starts to flow, but Good Kid, M.A.A.D. City would be a milestone even without the back-story, offering cool and compelling lyrics, great guests (Drake, Dr. Dre, and MC Eiht) and attractive production (from Pharrell, Just Blaze, Tabu, and others). Here, Kendrick is living his life like status and cash were extra credit. It is what makes this kid so \"good\" as he navigates his \"mad\" city (Compton) with experience and wisdom beyond his years (25). He's shamelessly bold about the allure of the trap, contrasting the sickness of his city with the universal feeling of getting homesick, and carrying a Springsteen-sized love for the home team. Course, in his gang-ruled city, N.W.A. was the home team, but as the truly beautiful, steeped-in-soul, biographic key track \"The Art of Peer Pressure\" finds a reluctant young Kendrick and his friends feeding off the life-force of Young Jeezy's debut album, it's something Clash, Public Enemy, and all other rebel music fans can relate to. Still, when he realizes that hero Jeezy must have risen above the game -- because the real playas are damned and never show their faces -- it spawns a kind of elevated gangsta rap that's as pimp-connectable as the most vicious Eazy-E, and yet poignant enough to blow the dust off any cracked soul. Equally heavy is the cautionary tale of drank dubbed \"Swimming Pools,\" yet that highlight is as hooky and hallucinatory as most Houston drank anthems, and breaks off into one of the chilling, cassette-quality interludes that connect the album, adding to the documentary or eavesdropping quality of it all. Soul children will experience d?j? vu when \"Poetic Justice\" slides by with its Janet Jackson sample -- sounding like it came off his Aunt's VHS copy of the movie it's named after -- while the closing \"Compton\" is an anthem sure to make the Game jealous, featuring Dre in beast mode, acting pre-Chronic and pre-Death Row. This journey through the concrete jungle of Compton is worth taking because of the artistic richness within, plus the attraction of a whip-smart rapper flying high during his rookie season. Any hesitation about the horror of it all is quickly wiped away by Kendrick's mix of true talk, open heart, open mind, and extended hand. Add it all up and even without the hype, this one is still potent and smart enough to rise to the top of the pile. ~ David Jeffries\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 10\/22\/2012\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":50558369956071,"sku":"ZRHF03-EB6W-00","price":47.12,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/Kendrick-Lamar-Good-Kid-MAAD-City_hDTdF.jpg?v=1740670996"},{"product_id":"eminem-recovery-explicit-content-2-lps","title":"Eminem Recovery [Explicit Content] (2 Lp's)","description":"\u003cp\u003eWith Recovery, it becomes obvious that Eminem's richest albums aren't necessarily his most structurally sound, which isn't much of a surprise when considering the rapper's full-on embrace of flaws and contradictions. This lean, mean, bipolar machine began life as Relapse 2, but when Shady decided he wasn't really Shady at the moment, and that he was no longer keen on Relapse -- or the last two albums, as he states on \"Talkin' 2 Myself\" -- it became Marshall Mathers time again, so damn any 11th hour issues. This results in an album where a shameless but killer Michael J. Fox punch line (\"The world will stop spinnin' and Michael J. Fox'll come to a standstill\" from \"Cold Wind\") is followed by a song with another, less effective MJF joke (\"Make like Michael J. Fox in your drawers, playin' with an Etch-A-Sketch\"), although that song is the lurching heavy metal monster \"Won't Back Down\" with P!nk, and it could be used as the lead-in to \"Lose Yourself\" on any ego-boosting mixtape. Ignoring these contradictions, fans can feed on the energy, the renewed sense of purpose, and Marshall doing whatever the hell he wants, up to and including shoehorning a grand, D12-like comedy number (\"W.T.P.,\" which stands for \"White Trash Party\") into this emotionally heavy album. It's fascinating when Em admits \"Hatred was flowin' through my veins, on the verge of goin' insane\/I almost made a song dissin' Lil Wayne\" and then \"Thank God I didn't do it\/I'da had my ass handed to me, and I knew it,\" before sparring with said Weezy on the Haddaway-sampling \"No Love.\" When the recovery-minded \"Going Through Changes\" gets back on the wagon by sampling Black Sabbath's very druggy \"Changes,\" it's a brilliant and layered idea that's executed with poignant lyrics on top. Add the man at his most profound (the gigantic hit \"Not Afraid\") and his most profane (\"You wanna get graphic? We can go the scenic route\/You couldn't make a bulimic puke on a piece of corn and peanut poop\" from \"On Fire\") plus one of thickest lyric booklets out of any of his albums and the fans who really listen are instantly on board. It may be flawed and the rapper's attitude is sometimes one step ahead of his output, but he hasn't sounded this unfiltered and proud since The Marshall Mathers LP, so to hell with refinement -- bring on the hunger and spirit of 8 Mile. ~ David Jeffries\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/27\/2010\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eminem","offers":[{"title":"Default Title","offer_id":50558370054375,"sku":"8PC8CT-DJ51-00","price":44.6,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/eminem-recovery-explicit-content-2-lps_btnKs_98289b68-92c2-403f-907b-64359cb8d22a.jpg?v=1740670388"},{"product_id":"anderson-paak-oxnard","title":"Anderson.Paak Oxnard","description":"\u003cp\u003eAnderson Paak recollects on volume three of his beach trilogy that he envisioned, back in high school, making music with Dr. Dre. The foresight manifested a decade later in a recurring role on Compton, and then a contract with the doctor's Aftermath label, announced a few months later, just as second volume Malibu was about to crash Billboard's R\u0026amp;B\/hip-hop Top Ten. A couple subsequent Grammy nominations further showed that Paak could prosper without being anyone's prot?g?, thereby making his Aftermath debut somewhat anticlimactic before it was even completed. Disregard the context and Oxnard is simply the follow-up to Malibu, lyrically a little deeper and sonically a bit richer, though a little less novel. It happens to bare Dre's name as executive producer and mixing engineer, and as co-producer of four tracks, three of which are rhythmically choppy backdrops for a peacocking, raspy Paak, basking in affluence, berating rappers, and \"fuckin' up the weekend\" as he flashes his million-dollar grin. The dazzling and layered fourth Dre collaboration, \"Cheers,\" also involves Q-Tip behind the board and in the booth, with Paak working through the loss of Mac Miller in poignant verses and a stirring chorus. Other than that track, embedded references to issues ranging from police brutality to personal troubles, and the post-11\/8 \"6 Summers\" -- where anti-Trump taunts are balanced by incisions like \"There's money to be made in a killing spree\" -- Oxnard is about highly detailed hijinks and romantic conflicts. It's front-loaded with a kind of vehicular action-adventure mini-suite, beginning in sweeping blaxploitation style with help from Kadhja Bonet's voice and strings, continuing with the elegant if lascivious pit stop \"Headlow,\" and climaxing with \"Tints,\" glistening and twisting modern synth-funk fortified by a duly animated Kendrick Lamar verse. Paak later verges closer than ever to loverman status with the slowly chugging Snoop Dogg pairing \"Anywhere,\" filled with flashbacks to '80s and '90s R\u0026amp;B like One Way, Mtume, and Ruff Endz. Although Paak is still an R\u0026amp;B artist more so than a hip-hop one, he continues to be a stylistic outlier. Rather than pander, testify, or even seduce, he tends to express the blues when he sings, epitomized on \"Smile\/Petty,\" in which he confronts a liar and wails \"My lady drives me high up the wall.\" Later lyrical transgression aside, the LP is a pleasurable thrill ride. ~ Andy Kellman\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 01\/25\/2019\u003c\/li\u003e\n\u003cli\u003eRSD Release Date: DDD\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Anderson.Paak","offers":[{"title":"Default Title","offer_id":50558370185447,"sku":"WZT03A-2EV5-00","price":36.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/AndersonPaak-Oxnard_p9uGv.jpg?v=1740670204"},{"product_id":"lil-wayne-tha-carter-v-explicit-content-2-lps","title":"Lil Wayne Tha Carter V [Explicit Content] (2 Lp's)","description":"\"Still the motherfuckin' best rapper a-live,\" Lil Wayne offhandedly declares on \"Dope New Gospel,\" a coasting track on which the unmistakable MC also insists that he's irreplaceable, even in death. Claiming supremacy while considering mortality has long been as natural as walking while chewing gum for Dwayne Carter, but there's a greater, grimmer sense across the long-anticipated Carter V that life is just a moment. Wayne's mother sets the tone with a spoken intro that verges on eulogistic, and through her tears somehow leaves the impression that even she is ever so slightly exasperated about the setbacks and protracted delays that plagued the fifth Carter after her son publicized its imminence in 2012. A multitude of personal and professional obstacles, occasionally poignant featured appearances, and mixtapes and intervening albums, were packed into the six years that passed since the fifth Carter volume was promised. The series finale nonetheless arrives with an undue weight of expectation; its maker already has a proven and immense catalog that includes ten Top Ten solo LPs. Almost 90 minutes in length, it's pieced together with material recorded from years to weeks ahead of release, and one cut goes back to resemble an early-2000s crossover bid, from its smoothly melodic Mannie Fresh production to its Ashanti hook. Wayne nonetheless sounds in the moment. There are touching rhymes regarding parenthood, and the moments of romantic heartache and inner conflict -- especially the cathartic last verse of \"Let It All Work Out,\" concerning his attempted childhood suicide -- have instant and lasting resonance. He's also still inspired enough to match wits with Kendrick Lamar (on the suspenseful, bewildering \"Mona Lisa\") and dash off cunning wordplay like \"You a roughneck, I'm a cutthroat\" (over a Swizz Beatz recycling of the Ez Elpee news-flash beat he joked about disliking the first time he used it). This exhibits Wayne on an upswing, lucid and invigorated. ~ Andy Kellman\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 01\/25\/2019\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lil Wayne","offers":[{"title":"Default Title","offer_id":50558370283751,"sku":"H6NUYO-SBWL-00","price":44.6,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/lil-wayne-tha-carter-v-explicit-content-2-lps_0Rlth.jpg?v=1740670984"},{"product_id":"pharcyde-labcabincalifex-2lp","title":"Pharcyde Labcabincalif(Ex\/2Lp","description":"The Pharcyde: Imani, Bootie Brown, Slim Kid3, Fat Lip (vocals).\nAdditional personnel includes: Big Boy, Schmooche Cat, Randy Mack (vocals); Fernando Pullum (trumpet); Justin Reinhardt (Fender Rhodes, organ); Bob Durham (keyboards); Jay Dee (drums); M-Walk (scratches).\nProducers include: Jay Dee, Bootie Brown, Diamond D., Trevant \"Slim Kid3\" Hardson, M-Walk.\nEngineers include: Tim Latham, Rick Clifford, James Mansfield.\nSamples include \"Get Up, Stand Up\" (as performed by Bob Marley), \"Ladies First\" (as performed by Queen Latifah), \"Down By The River\" (as performed by Buddy Miles) and \"Saudade Ven Correndo\" (as performed by The Stan Getz Samba Jazz Encore).\nThe Pharcyde: Imani, Bootie Brown, Slim Kid3, Fat Lip (vocals).\nAdditional personnel includes: Big Boy, Schmooche Cat, Randy Mack (vocals); Fernando Pullum (trumpet); Justin Reinhardt (Fender Rhodes, organ); Bob Durham (keyboards); Jay Dee (drums); M-Walk (scratches).\nProducers include: Jay Dee, Bootie Brown, Diamond D., Trevant \"Slim Kid3\" Hardson, M-Walk.\nEngineers include: Tim Latham, Rick Clifford, James Mansfield.\nSamples include \"Get Up, Stand Up\" (as performed by Bob Marley), \"Ladies First\" (as performed by Queen Latifah), \"Down By The River\" (as performed by Buddy Miles) and \"Saudade Ven Correndo\" (as performed by The Stan Getz Samba Jazz Encore).\nThe change in the Pharcyde between the group's first and second albums can best be summed up by the variation in album covers. Where BIZARRE RIDE II THE PHARCYDE depicted a cartoon version of the four rappers twisted and turned by a wild rollercoaster ride, LABCABINCALIFORNIA shows the real rap quartet in Southern white suits in a somewhat posed group photo. Where the former showcases wonderful, youthful chaos with skits and ideas that are woven together with little attention to logic, the latter is an album of distinct five-minute story songs. Moreover, the concepts on LABCABINCALIFORNIA are more complex and intellectual--even political--than those of BIZARRE, which dealt primarily with relationship issues.\nThe politics are much subtler than the rants of a group such as Public Enemy, but are unmistakably present. If P.E. is the publisher of a subversive newspaper against an evil state, the Pharcyde is a group of poets who live on the hill--both are effective in their own way. The Pharcyde's nuance carries into its lyricism. Although not particularly complex, the group's rhymes are casually catchy, so much so you'll have fragments of \"Runnin',\" \"Y?,\" and \"Drop\" roaming through your cranium for days, if not years.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/20\/2018\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pharcyde","offers":[{"title":"Default Title","offer_id":50558371823847,"sku":"6U7K8R-9RGV-M8","price":45.54,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/pharcyde-labcabincalifex2lp_Aq9qA.jpg?v=1740451211"},{"product_id":"ll-cool-j-mama-said-knock-you-out","title":"LL Cool J Mama Said Knock You Out","description":"Personnel: LL Cool J., Bomb, Big Money, Grip, Hic (rap vocals); Darren Lightly (keyboards, background vocals); Cliff Lightly, Eric Williams (background vocals).\nEngineers include: Marley Marl, David Kennedy, \"Doc\" Rodriguez.\nRecorded at Marley Marl's House Of Hits, Chestnut Ridge, New York and Chung King House Of Metal, New York.\n\"Don't call it a comeback, I been here for years\/Rockin' the mic, puttin' suckers in fear.\" Despite that disclaimer, MAMA SAID KNOCK YOU OUT was indeed a resurgence--both commercial and personal--for LL, coming as it did after a long battle with substance abuse. Although the title track saw a return to the raw b-boy machismo of \"Rock The Bells\" after a few years of party jams and rap ballads, L was not about to abandon the tropes of sex symbol and party-emcee.\nAccordingly, the testosterone level of \"Boomin' System,\" and \"Farmers Blvd.\" (a posse cut dedicated to the street-corner sessions which molded his style) is balanced with more seductive monologues (\"Around The Way Girl,\" \"6 Minutes Of Pleasure,\" \"Mr. Goodbar\") and straight comedy (\"Cheesy Rat,\" \"Milky Cereal\"). More than adherence to any particular style, it's LL's original and articulate delivery that carries the album, which is also blessed with the production skills of Marley Marl. Marley definitely pulled out the stops for this one, dusting off a few classic beats to set next to those he'd obviously been saving specifically for a record of this scope.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 12\/07\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"LL Cool J","offers":[{"title":"Default Title","offer_id":50558371954919,"sku":"K4O3Z9-PZEM-00","price":72.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/ll-cool-j-mama-said-knock-you-out_oZ5qm.jpg?v=1740670344"},{"product_id":"dj-jazzy-jeff-the-fresh-prince-hes-the-dj-im-the-rapper-150-gram-vinyl-gatefold-lp-jacket-download-insert-2-lps","title":"Dj Jazzy Jeff \u0026 The Fresh Prince He's The Dj, I'm The Rapper (150 Gram Vinyl, Gatefold LP Jacket, Download Insert) (2 Lp's)","description":"TracksCredits\r\n- Disc 1 -\r\n1 A Nightmare on My Street\r\n2 Here We Go Again\r\n3 Brand New Funk\r\n4 Time to Chill\r\n5 Charlie Mack - the First Out the Limo\r\n- Disc 2 -\r\n1 As We Go\r\n2 Parents Just Don't Understand\r\n3 Pump Up the Bass\r\n4 Let's Get Busy Baby\r\n5 Another Special Announcement\r\n- Disc 3 -\r\n1 Live at the Union Square, November 1986\r\n2 DJ on the Wheels\r\n3 My Buddy\r\n4 Rhythm Trax - House Party Style\r\n- Disc 4 -\r\n1 He's the DJ, I'm the Rapper\r\n2 Hip Hop Dancer's Theme\r\n3 Jazzy's in the House\r\n4 Human Video Game\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/13\/2017\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dj Jazzy Jeff \u0026 The Fresh Prince","offers":[{"title":"Default Title","offer_id":50558372020455,"sku":"HRITUS-IHAK-00","price":38.59,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/dj-jazzy-jeff-the-fresh-prince-hes-the-dj-im-the-rapper-150-gram-vinyl-gatefold-lp-jacket-download-insert-2-lps_Fkrpm.jpg?v=1740670227"},{"product_id":"snoop-dogg-the-last-meal-explicit-content-2-lps","title":"Snoop Dogg The Last Meal [Explicit Content] (2 Lp's)","description":"Personnel includes: Snoop Dogg, Bad Azz, Kokane, Eve, Lil HD, Tha Eastsidaz, Suga Free, Butch Cassidy, Master P, Mr. Magic, Mac Minista, Nate Dogg, MC Ren, The Lady Of Rage, Ice Cube (vocals); Clarence Jimmy Roach (guitar, bass); La Tonya Holmes, Mica Fisher, Traci Nelson (background vocals).\r\nProducers include: Dr. Dre, Swizz Beatz, Battlecat, Meech Wells, Timbaland.\r\nThough Ice-T is credited with creating gangsta rap, and the original N.W.A. brought it to the forefront of the pop culture, it was Snoop Dogg that took the genre to the next level with his debut album DOGGYSTYLE. Snoop's decision to transfer from the Suge Knight-owned Death Row Records to the Master P-owned No Limit had a significant effect on the sound of his music.\r\nHowever, his fifth album, THA LAST MEAL, returns Snoop to the funk-inspired sound that made his debut a classic. \"Snoop Dogg (What's My Name Part. 2),\" with its Timbaland-produced background, re-establishes Snoop as the G-funk king. The posse cut \"Set it Off,\" which features Ice Cube, MC Ren, Nate Dogg, and the Lady of Rage, highlights Snoop's laid-back flow and skilled lyrical style. Check out \"True Lies\" for that bouncy old Snoop Dogg\/Dr. Dre feel.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 9\/08\/2017\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Snoop Dogg","offers":[{"title":"Default Title","offer_id":50558372249831,"sku":"OUWBTF-86NU-0C","price":44.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/snoop-dogg-the-last-meal-explicit-content-2-lps_ziqcX.jpg?v=1740670374"},{"product_id":"2pac-2pacalypse-now-explicit-content-2-lps","title":"2PAC 2pacalypse Now [Explicit Content] (2 Lp's)","description":"\u003cp\u003ePersonnel: Tupac Shakur, Stretch (rap vocals); Poppi, Dave, Roniece (vocals); Piano Man (keyboards); Angelique, Shock-G, Pee Wee, Playa-Playa, Dank, Wiz, Mac Mone, Mickey Cooley, Rodney Cooley, Pogo, Money B, DJ Fuze, Mac Mone, Ray Love, Yonni, Di Di (background vocals). Producers: Shock-G, The Underground Railroad, Big D The Impossible, Pee Wee, Jeremy, Raw Fusion, Live Squad. Engineers: Darrin Harris, Steve Counter, Marc Senasac, Matt Kelley. Recorded at Starlight Sound, Richmond, California. When 2Pac's full-length debut, 2Pacalypse Now, came out in 1991, it didn't have the same immediate impact, didn't instantly throw him into the upper echelons of rap's elite, as Nas', Jay-Z's, or even his biggest rival, Notorious B.I.G.'s did, but the album certainly set him up for his illustrious and sadly short-lived career. Part of its initial problem, what held it back from extensive radio play, is that there's not an obvious single. The closest thing to it, and what ended up being the best-known track from 2Pacalypse Now, is \"Brenda's Got a Baby,\" which discusses teenage pregnancy in true Pac fashion, sympathetically explaining a situation without condoning it, but it doesn't even have a hook, and most of the other pieces follow suit, more poetry than song. The album is significantly more political than the rapper's subsequent releases, showing an intelligent, talented, and angry young man (he was only 20 when it came out) who wanted desperately to express and reveal the problems in the urban black community, from racism to police brutality to the seemingly near impossibility of escaping from the ghetto. He pays tribute to artists like KRS-One, N.W.A, and Public Enemy, all of whom he also considered to be provoking discussion and reaction, but he also has cleanly carved out an image for himself: articulate and smart, not overtly boastful, and concerned about societal problems, both small and large (and though he discusses these less and less as career progresses, he never leaves them behind). Yes, the edges of 2Pacalypse Now can be a bit rough, yes the beats aren't always outstanding, and yes, the MC's flow can be a little choppy, even for him, but it's still a great look at what 2Pac could offer, and a must-have for any fan of his, or hip-hop in general. ~ Marisa Brown\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/11\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"2PAC","offers":[{"title":"Default Title","offer_id":50558372315367,"sku":"S15JHL-0S3A-00","price":44.6,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/2pac-2pacalypse-now-explicit-content-2-lps_g8kvW.jpg?v=1740670346"},{"product_id":"notorious-b-i-g-born-again-black","title":"Notorious B.I.G. Born Again (Black)","description":"\u003cp\u003ePersonnel: The Notorious B.I.G., Puff Daddy, Busta Rhymes, Lauryn Hill, DMX, Nas, Method Man, Redman, Lil' Kim, Faith, Too Short, K-Ci, JoJo, Sadat X, Ice Cube, Shyne, G-Dep, Mark Curry, Snoop Dogg, Eminem, Hot Boys \u0026amp; Big Timer, Craig Mack, Missy \"Misdemeanor\" Elliot, G-Dep, Lil' Cease, Mobb Deep, Joe Hooker, Black Rob, Beanie Sigel, Junior M.A.F.I.A. Producers include: Puff Daddy, Chucky Thompson, Mario Winans, Derek \"D Dot\" Angelettie, DJ Premier. Engineers include: Roger Che, Michael Patterson, Tom Cassel. Personnel: The Notorious B.I.G., Puff Daddy, Busta Rhymes, Lauryn Hill, DMX, Nas, Method Man, Redman, Lil' Kim, Faith, Too Short, K-Ci, JoJo, Sadat X, Ice Cube, Shyne, G-Dep, Mark Curry. Producers include: Puff Daddy, Chucky Thompson, Mario Winans, Derek \"D Dot\" Angelettie, DJ Premier. Where would Christopher Wallace\/Biggie Smallz\/Notorious B.I.G. be today had the rap wars not claimed the large (both livin' and size) rapper? It's the eternal James Dean question--how much of the myth comes from the tragedy and how much of the tragedy comes from the myth. These questions can never be answered to any satisfaction, though it's only fair to recall that Biggie had sold millions of records and seen the top of Billboard's album and pop singles charts long before he went out bigger than his life. On BORN AGAIN, the whole rap world turns out to pay tribute at this latest reverent, raucous wake. Biggie still eerily fills the center of this rap universe with Snoop Dogg, Ice Cube, Busta Rhymes, and other luminaries from both coasts and various camps filling in the rhymes around him. Tracks like the Duran Duran-sampled \"Notorious B.I.G.\" and \"Dead Wrong\" are perfect showcases for Biggie's patented lumbering and relaxed baritone flow. BORN AGAIN proves not whether the man would stand atop the hip-hop hierarchy had he lived, but reveals the amount of love felt for the Notorious B.I.G. and reminds us of what he was capable if only...\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 04\/22\/2017\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Notorious B.I.G.","offers":[{"title":"Default Title","offer_id":50558372610279,"sku":"FV3S7Q-HRJ7-00","price":54.07,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/notorious-big-born-again-black_DWbvH.jpg?v=1740670143"},{"product_id":"curry-denzel-imperial-lp-explici","title":"CURRY,DENZEL IMPERIAL (LP-EXPLICI","description":"In the years between his 2013 debut LP, Nostalgic 64, and his sophomore set, Imperial, Denzel Curry evolved from a shadowy cult presence into a full-blown, game-ready voice. While hints of this direction were already present on Nostalgic -- a few subtly catchy hooks and a lyrical dexterity ahead of his peers -- Imperial presents Curry as a figure set to dominate his contemporaries with sheer skill and personality. Like Vince Staples and Kendrick Lamar, the Miami-based wordsmith is introspective and can be shockingly dark, with wordy bars compressed with lyrics that easily swerve from violent street-level snapshots to pop culture references aplenty. Take the autobiographical whirlwind \"Story: No Title\" for example: the mid-album highlight contains shout-outs to Fugazi, Kill Bill, Star Wars, Bebe's Kids, and Spongebob, woven through grim ruminations on gun violence and desperation. With his breathless delivery, it can be exhausting, but in an exciting, thrilling way. Some of the best hooks appear out of thin air, bubbling up unexpectedly between aggressive verses and latching onto listeners long after the song has ended (like \"Sick \u0026amp; Tired\" and the Rick Ross joint \"Knotty Head\"). \"ULT\" -- a reworking of his 2013 track \"Ultimate\" -- contains a hypnotic, anthemic chorus that kicks Imperial to life, bleeding into the popping \"Gook.\" The complicated title is, according to Curry, Miami slang for \"odd\" or \"not with in crowd,\" establishing his self-proclaimed position as an outlier and misfit. Considering the state of popular rap at the time of the album's release, Curry's focus on storytelling and clever lyrical wordplay indeed sets him apart from a pack more concerned with onomatopoeia and exclamations. Further distinguishing himself from peers, Curry also pays respect to his forefathers and hip-hop history, dropping a trio of stylistic throwbacks to close Imperial. Going toe to toe with Joey Bada$$ on \"Zenith,\" Curry channels the spirit of the golden era with dense verbal volleys and some old-fashioned turntable scratching. \"Good Night,\" featuring frequent collaborator Twelve'len on the bridge and a star turn from rapper Nell, invokes early-era Kanye production with the uplifting spirit of Kendrick's \"Alright.\" On an album that lurks mostly in the shadows, it's a clear standout. Taut and perfectly paced at ten snapshots, Imperial is a promising and early triumph for Curry, whose versatility and talent have produced one of the best rap albums of 2017. ~ Neil Z. Yeung\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 1\/27\/2017\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CURRY,DENZEL","offers":[{"title":"Default Title","offer_id":50558372905191,"sku":"R4ZDRQ-DQB2-00","price":28.43,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/currydenzel-imperial-lp-explici_RVUAP.jpg?v=1740670245"},{"product_id":"travis-scott-birds-in-the-trap-sing-mcknight-download-insert-explicit-content-2-lp","title":"Travis Scott Birds In The Trap Sing Mcknight (Download Insert) [Explicit Content] (2 LP)","description":"Titled after one of Quavo's lines from the chirpy summertime 2016 hit co-billed to Travis Scott and Young Thug, this fitfully hypnotizing follow-up arrived after numerous delays, toward the end of the year's third quarter. \"Pick Up the Phone\" functioned as the lead single off Thug's JEFFERY, and it sensibly reappears here, buried in the latter half, de-emphasized yet not quite a tacked-on bonus. It's easily the track with the most pop appeal on Scott's second full-length. Released almost exactly a year after Rodeo, Birds in the Trap features little development, though the large company Scott keeps is quite different, and Metro Boomin is noticeably absent. Among the present is Andr? 3000, who drops by on \"The Ends\" to recollect the infamous rash of murders that struck his city during his early childhood. The album's deepest verse by a great measure, it has no discernible connection to Scott's surrounding rhymes of cocksure nonsense. That remains the M.O. of Scott, who remains deeply into heavy accessorization and proclamations of dominance, as well as punctuations with affirmative exclamations cast in dehumanizing pitch alteration. Swarming basslines and sluggish beats likewise form the rhythmic foundation, with gauzy and tickling keyboards adding sweetness to Scott's hedonistic hooks. Only on \"Guidance,\" through scuttling drums granted by DF, is there a significant shake-up. This time, Scott co-produced only one track, another Weeknd collaboration, and it easily slips into the album's scheme with its serpentine menace and lightweight lyricism. Among the others on the guest carousel are Kendrick Lamar, Kid Cudi, 21 Savage, and Cassie. They all pass in a slow-motion blur. ~ Andy Kellman\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/25\/2016\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Travis Scott","offers":[{"title":"Default Title","offer_id":50558373069031,"sku":"I7S6EO-HWGX-00","price":38.59,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/travis-scott-birds-in-the-trap-sing-mcknight-download-insert-explicit-content-2-lp_aFLDk.jpg?v=1744674304"},{"product_id":"common-resurrection-explicit-content","title":"Common Resurrection [Explicit Content]","description":"Personnel: Common Sense, NO I.D., The Illustrious and Praiseworthy Mohammed Ali, The Late Show's Ynot Never The Less (vocals), Lenny Underwood (keyboards), Mista Sinister (scratches).\r\nProducers: NO I.D. (tracks 1-5, 7-11, 13, 15); The Late Show's Ynot Never The Less (tracks 12, 14).\r\nEngineers: Troy Hightower (tracks 1, 3, 5, 7, 9-15); Stephen Georgiafandis (tracks 2, 4, 8).\r\nAll songs written by Common Sense. Contains samples from \"Protect Ya Neck\" (as performed by Wu-Tang Clan) and \"Power Of Love\" (as performed by Alton McClain and Destiny).\r\nThe music on RESURRECTION seems deceptively simple--jazzy loops over a strong break beat--but this is only because the true focus on any Common Sense album is the lyrics. Common is an underrated rapper, possessing enormous skills on the mic, able to string together seemingly endless syllables and phrases into a fluent, flowing story line. He often speaks in soundbites, using an old commercial's ad-line or another rapper's hook, but always recreating them to fit into the story he's trying to tell, usually regarding his life and his 'hood--Chicago's Stony Island.\r\nCommon Sense has grown up since his 1992 debut, CAN I BORROW A DOLLAR? Instead of wasting time dogging the \"Heidi Hoes\" around his way, he turns his talent towards more mature themes. While he spends plenty of time discussing monetary matters in songs like \"Chapter 13 (Rich Man Vs. Poor Man)\" and \"Communism,\" the album's centerpiece is \"I Used To Love H.E.R.,\" a chronicle of Common's long time relationship with the woman he loves--an extended metaphor for hip hop herself. He sounds sad and jealous describing how other rappers have treated her (\"Slammin' her, and taking her to the sewer\"), and vows to take her back and treat her right--no false promise when it comes out of Common's mouth.\r\nPlacing Chicago firmly onto the hip-hop map, Common Sense has brought some sanity and intelligence back to a genre that has missed it the past few years.\r\nCommon Sense's sophomore release established a level of quality from the MC that would carry through to his most innovative albums, LIKE WATER FOR CHOCOLATE and BE. Spare, relaxed, jazz-laden grooves create a context for this Chicago rhymemaster to do what he does best, and in very few places on RESURRECTION do the verses leave listeners wanting. Narratives, metaphors, puns, and dazzling verbal wordplay are on offer throughout.\r\n\"I Used to Lover H.E.R.,\" for example, uses a first-person romance narrative to detail the history of hip-hop, resulting in an extended metaphor that's sophisticated, clever, and delivers a moral message. Common outs himself as an MC with a conscience on tunes like \"Nuthin' to Do,\" which critiques the poor state of many of Chicago's neighborhoods. Thanks in part to Common's intelligent, agile style and scintillating street poetry, and to the album's spare, groovy tracks that owe nothing to trends of the moment, RESURRECTION will still sound smart decades after its release.\u003cul\u003e\n\u003cli\u003eRSD Release Date: n\/a\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/25\/1994\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Common","offers":[{"title":"Default Title","offer_id":50558373232871,"sku":"LUOP79-8URG-00","price":24.05,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/Common-Resurrection-Explicit-Content_9PkHO.jpg?v=1740670384"}],"url":"https:\/\/www.normandierecords.com\/en-mx\/collections\/pop.oembed?page=38","provider":"Normandie Records","version":"1.0","type":"link"}