{"title":"Vinyl","description":"","products":[{"product_id":"irene-diaz-nicolette-smith","title":"Irene Diaz - Another Observer\/Nicolette Smith - Beasts Bigger Than Me (Vinyl)","description":"\u003cp\u003eNR-002 is a 7\" vinyl split featuring “Another Observer” by Irene Diaz and \"Beasts Bigger Than Me\" by Nicolette Smith. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNicolette Smith is a singer songwriter from Los Angeles. Influenced by artists such as Adele, Leonard Cohen, and Matt Corby, her intimate songwriting captures the essence of raw emotion and human experience.\u003c\/p\u003e\n\u003cp\u003eIrene Diaz is a Mexican- American singer, songwriter and solo artist. Born and raised in Highland Park, CA. With her EP I Love You Madly and full length album Lovers \u0026amp; Friends, she finds herself as a ‘soft, but quiet storm’ (NPR). Irene Diaz appears on this vinyl courtesy of Cosmica Artists. \u003c\/p\u003e\n\u003cp\u003eThis is a limited run of 200. Pressed at Erika Records in Buena Park, CA. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/2ccWVWCXvjuOvtFNqzrEqs?utm_source=generator\u0026amp;theme=0\" width=\"100%\" height=\"152\" loading=\"lazy\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/4D4AfGWcE6LAek7dH5sBPZ?utm_source=generator\u0026amp;theme=0\" width=\"100%\" height=\"152\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Normandie Records","offers":[{"title":"Default Title","offer_id":42080058704103,"sku":"NR-002","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/products\/NR002_cb4006f0-791b-4655-ad0d-6fd3aa915bf6.jpg?v=1682723699"},{"product_id":"la-noche-chica-cosmica-7-vinyl-split-nr-003","title":"G-Flux\/Volcanicos Del Ixtla - La Noche\/Chica Cosmica (7\")","description":"\u003cp\u003eNR-003 is a 7\" limited edition green splatter vinyl featuring \u003cem\u003eLa Noche\u003c\/em\u003e by G-Flux, Pahua, Hey Cosmo and \u003cem\u003eChica Cosmica\u003c\/em\u003e by Volanicos Del Ixtla. \u003c\/p\u003e\n\u003cp\u003e“La Noche” is a delicious indie champeta track with a touch of baile funk and a lot of feminine sensibility. It walks within the same afrofuturistic vibe of groups such as Onipa or The Busy Twist. It’s a combination of indie, global rhythms and afrolatinx heritage that reminds us of artists from the Colombian Carribean and Dj’s with a taste for the sunny guitars that come from Sub-Saharan Africa. Also, the feel of the production of the song is a reference to the way Fela Kuti’s afrobeat is transformed into a danceable indie sound in the hands of singers like Sylvan Esso or Reyna Tropical.\u003c\/p\u003e\n\u003cp\u003e\"Chica Cosmica\" is an electro-funk song by Volcanicos Del Ixtla, which consists of DJ and Cumbia specialist, G-Flux and Canadian-Mexican musician Boogát from Quebec City, Quebec, whose style blends hip hop with Latin music styles such as cumbia and reggaeton.\u003c\/p\u003e\n\u003cp\u003ePrint run 200. Manufactured at Erika Records in Buena Park, CA. \u003cbr data-mce-fragment=\"1\"\u003e  \u003c\/p\u003e\n\u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/track\/6NKV4jEVqmJ6tsoyNEg2SQ?utm_source=generator\u0026amp;theme=0\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/track\/2EKTHz0G3xbLRYzaO5uw3B?utm_source=generator\u0026amp;theme=0\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Normandie Records","offers":[{"title":"Default Title","offer_id":42080067191015,"sku":"NR-003","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/products\/NR-003SCAN.png?v=1681611997"},{"product_id":"nr-007-g-flux-banana-leaf-boy-adios-grupo-gallardo-mas-vale-tarde","title":"Banana Leaf Boy - Adios\/Grupo Gallardo - Mas Vale Tarde (7\")","description":"\u003cp\u003eNR-007 is a 7\" 45rpm vinyl featuring \"Adios\" by Banana Leaf Boy and G-Flux and \"Mas Vale Tarde\" an unreleased song by Grupo Gallardo (G-Flux and Alfredo Cabello of Los Master Plus).\u003c\/p\u003e\n\u003cp\u003eCumbia rebajada (pitched down cumbia) is taking world music to ever more refreshing frontiers. Sometimes its darker and more electronic approach earns it reviews on electronic music sites such as Resident Advisor, and sometimes we experience a unique creative explosion as we can see with ADIOS.\u003cbr\u003e\u003cbr\u003eIn this case the slowed down “chunchaka” language of cumbia rebajada is used by Banana Leaf Boy to create a future that is inspired by the 80’s. One that proposes a parallel Latin and multiethnic future to the one of Blade Runner. One that imagines what the soundtrack of that film would sound like if instead of being composed by Vangelis it had been written by one of the heroes of the Movimiento Grupero from Mexico (i.e. Bronco, Los Temerarios or Los Bukis).\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBanana Leaf Boy is the alter ego of José Miranda, a kid from Acapulco, Guerrero that arrived in the U.S. at the age of 12, and in the same tune as artists such as Cuco, picked up his guitar to express the dreaming nostalgia that is embedded in the DNA of young latinos across America.\u003cbr\u003e\u003cbr\u003eInspired by corners of music that go all the way from Stereolab to Banda Machos, and from Pet Shop Boys to Los Prisioneros, after thousands of hours making music from his bedroom, it was just only two years ago that he started to release his music to the rest of the world. \u003c\/p\u003e\n\u003cp\u003eManufactured at Erika Records in Buena Park, CA.\u003c\/p\u003e\n\u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/track\/7qoZzANNlkhGVQXIfQFrLo?utm_source=generator\u0026amp;theme=0\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/track\/3b9jaZ0F7puLMVOyKPkLYZ?utm_source=generator\u0026amp;theme=0\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Normandie Records","offers":[{"title":"Default Title","offer_id":45210302349543,"sku":"NR-007","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/NR-007A.jpg?v=1684790724"},{"product_id":"nr-006-chellz-el-paseo-del-alma-ep-brown-colored-vinyl","title":"Chellz \u0026 Boogat - El Paseo Del Alma EP (Brown Vinyl)","description":"\u003cp style=\"margin-bottom: 20px;\"\u003e\n  El Paseo Del Alma is the debut EP from Salvadoran-Canadian artist, Chellz. Produced during the pandemic, El Paseo del Alma is an ode to all the wandering nights daydreaming, cruising around listening to good music in old, comfortable cars. The EP pulls inspiration from the sounds and culture of Lowrider Oldies, Chicano Rap, Psychedelia, and Buffalo Boom Bap.\n\u003c\/p\u003e\n\n\u003cp style=\"margin-bottom: 20px;\"\u003e\n  Produced by Boogát, Back Up Vocals by Mai \u0026amp; Big Roge, Guitar by Javi Muñoz Maldonado, Mixed by Andres Oddone (Bugambilla Studios), Mastered by Sebastian Cordoves, Photo by Carlos Guerra, Artwork by J.S. Perron \u0026amp; Boogát, Model: Lyska Dessin, Car by Smiley\n\u003c\/p\u003e\n\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Chellz\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Normandie Records\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eCatalog:\u003c\/strong\u003e NR-006\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eRelease:\u003c\/strong\u003e Spring 2023\u003c\/p\u003e\n\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/4v22XwAYxHYSuNoXQ1aLom?utm_source=generator\u0026amp;theme=0\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\n\u003cp style=\"margin-top: 20px;\"\u003e\u003cstrong\u003eStockists:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCalifornia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiscodelic:\u003c\/strong\u003e 3174 24th St, San Francisco, CA 94110\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSonido Del Valle:\u003c\/strong\u003e 2108 1st St, Los Angeles, CA 90033\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGoing Underground Records:\u003c\/strong\u003e 356 1\/2 E 2nd St, Los Angeles, CA 90012\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNivessa Vinyl:\u003c\/strong\u003e 5770 W Pico Blvd, Los Angeles, CA 90019\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYuri's Records:\u003c\/strong\u003e 3801 Tweedy Blvd South Gate, CA 90280\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnder The Radar Records:\u003c\/strong\u003e 16129 Hawthorne Blvd Ste C Lawndale, CA 90260\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-Fidelity:\u003c\/strong\u003e 4765 W Adams Blvd Los Angeles, CA 90016\u003c\/p\u003e\n","brand":"Normandie Records","offers":[{"title":"Default Title","offer_id":45210998636775,"sku":"NR-006","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/products\/ELPASEODELALMA_PRODUCTIMG.jpg?v=1672990602"},{"product_id":"nr-001-sister-mantos-cartas-a-felice-7-split-error-pressing","title":"Cartas A Felice \u0026 Sister Mantos - Siempre\/El Alacran (7\", Error Pressing)","description":"\u003cp\u003e\u003cem\u003eThis is an error pressing. The labels are on the wrong side. Condition is M.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNR-001 is a 7\" split featuring Los Angeles based Sister Mantos (feat San Cha) with their song \"Siempre\" off of their full length, Songs In The Key of Destroy Capitalism. Side 2 contains Cartas A Felice (feat Daniel Me Estas Matando) with their song El Alacran.\u003c\/p\u003e\n\u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/track\/6U8LLDh7qMIItxwRrJywih?utm_source=generator\u0026amp;theme=0\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Normandie Records","offers":[{"title":"Default Title","offer_id":46936287084775,"sku":null,"price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/NR-001SCAN3000x3000.jpg?v=1685663033"},{"product_id":"kamasi-washington-heaven-earth","title":"Kamasi Washington - Heaven \u0026 Earth","description":"\u003cp\u003eKamasi Washington arrived on the international jazz scene from Los Angeles with a bang after the release of 2015's three-disc, three-hour The Epic. While he'd been around for a decade, playing with Snoop Dogg, Kendrick Lamar -- whose To Pimp a Butterfly he arranged and played on -- the mammoth project turned him into jazz's perceived savior almost overnight. But he understood his own mission remarkably well and has remained undaunted by the hype. His second, double-length long-player Heaven and Earth was announced via tweet: \"The Earth side.represents the world as I see it outwardly, the world that I am part of. The Heaven side.represents the world as I see it inwardly, the world that is a part of me.\" Washington reassembled his Next Step band -- which includes bassists Miles Mosely and Stephen \"Thundercat\" Bruner, drummers Ronald Bruner, Jr. and Tony Austin, trombonist Ryan Porter, pianist Cameron Graves, keyboardist Brandon Coleman, and vocalist Patrice Quinn -- supplemented by a jazz orchestra, West Coast Get Down, a symphony orchestra, and choir. Heaven and Earth is a major dose of Afro-Futurism. Earth opens with a killer cover of the theme from Bruce Lee's Fist of Fury, retitled in plural here. Quinn and Dwight Trible duet on lead vocals backed by a soaring, sweeping choir atop a cooking Latin jazz groove complete with montunos from Graves and a raw-boned solo from Washington (who is on fire throughout). The other cover is a funky take on Freddie Hubbard's \"Hub-Tones,\" with layers of propulsive Latin rhythms. Dontae Winslow's jagged trumpet solo cuts across the mix before Washington's tenor answers. Of the originals, \"Connections\" is a space jazz embrace of hard bop and 20th century West Coast jazz, with great solos from Porter and Winslow, while \"Testify\" owes as much to Caribbean grooves and soul as jazz. Heaven commences with the spectral \"The Space Traveler's Lullaby,\" with its gorgeous warm brass and reeds, swelling symphony strings, and soaring wordless chorus sounds like the Gil Evans and Sun Ra orchestras playing together. \"Vi Lua Vi Sol\" features a vocoder vocal from Coleman, with Porter blowing fills and a beefy solo, swooping synth lines atop Afrobeat drumming, and a popping upright bassline. The breaks and future funk of \"Street Fighter Mas\" owes equally to Miles Davis, Lamar, and Earth Wind and Fire as the choir extrapolates on the harmonics before Washington's skittering R\u0026amp;B-drenched solo. \"Song for the Fallen\" weds angular avant-jazz and future funk to wiry fusion and a multivalent rhythmic attack -- with the choir adding a celestial bent. Heaven and Earth is more a refinement of the ideas expressed on The Epic than an entirely new paradigm. There is less wandering, more focus, more inquiry and directed movement, as well as an abundance of colorful tonal and harmonic contrasts. More than anything else, it establishes Washington as a composer and arranger of dizzying potential and still underscores his twin rep as a soloist and jazz conceptualist. [The CD version contains a third, hidden bonus disc in the middle panel (it has to be slit open) containing three more originals -- \"The Secret of Jinsinson,\" \"My Family,\" and \"Agents of Multiverse,\" plus covers of Carole King's \"Will You Love Me Tomorrow\" and Stan Vincent's \"Ooh Child.\"] ~ Thom Jurek\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eInternal ID: Vinyl\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 4LP standard Jacket\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/22\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kamasi Washington","offers":[{"title":"Default Title","offer_id":50558303273191,"sku":"W36OAH-KH0I-00","price":65.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/kamasi-washington-heaven-earth_5bmHP_715e3917-0ab0-468e-880a-6e8cab8e493b.jpg?v=1740669984"},{"product_id":"miles-davis-kind-of-blue-180-gram-vinyl-import","title":"Miles Davis Kind of Blue (180 Gram Vinyl) [Import]","description":"\u003cp\u003eKind of Blue (180 Gram Vinyl) [Import] is a Records \u0026amp; LPs from Miles Davis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 02\/09\/2015\u003c\/li\u003e\n\u003cli\u003eGenre: 124\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":50558303338727,"sku":"GKF06H-GDUK-00","price":16.89,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/miles-davis-kind-of-blue-180-gram-vinyl-import_yvksU.jpg?v=1740168996"},{"product_id":"miles-davis-round-about-midnight-import","title":"Miles Davis - Round About Midnight (Import)","description":"\u003cp\u003eRound About Midnight [Import] is a Records \u0026amp; LPs from Miles Davis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/13\/2017\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":50558303600871,"sku":"P5Y79V-0AEN-00","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/miles-davis-round-about-midnight-import_CQoPf.jpg?v=1740670248"},{"product_id":"miles-davis-miles-davis-quintet-freedom-jazz-dance-the-bootleg-series-vol-5-gatefold-lp-jacket-3-lps","title":"Miles Davis Miles Davis Quintet: Freedom Jazz Dance - The Bootleg Series, Vol. 5 (3 Lp's)","description":"TracksCredits\r\n- Disc 1 -\r\n1 Freedom Jazz Dance (Session Reel) [Explicit] 23:13\r\n2 Freedom Jazz Dance (Master Take) 7:13\r\n3 Circle (Session Reel) [Explicit] 11:44\r\n4 Circle ((Take 5) [Closing Theme Used on Master Take]) [Explicit] 5:23\r\n5 Circle ((Take 6) [Released Master Take Excluding Closing Theme]) 5:48\r\n6 Dolores (Session Reel) [Explicit] 5:16\r\n7 Dolores (Master Take) 6:23\r\n- Disc 2 -\r\n1 Orbits (Session Reel) [Explicit] 14:43\r\n2 Orbits (Master Take) 4:41\r\n3 Footprints (Session Reel) 5:47\r\n4 Footprints (Master Take) 9:51\r\n5 Gingerbread Boy (Session Reel) 3:43\r\n6 Gingerbread Boy (Master Take) 7:44\r\n7 Nefertiti (Session Reel) [Explicit] 11:05\r\n8 Nefertiti (Master Take) 8:04\r\n- Disc 3 -\r\n1 Fall (Session Reel) 19:44\r\n2 Fall (Master Take) [Explicit] 6:41\r\n3 Water Babies (Session Reel) 8:32\r\n4 Water Babies (Master Take) 5:09\r\n5 Masqualero (Alternate Take \/ Take 3) 7:59\r\n6 Country Son (Rhythm Section Rehearsal) 7:43\r\n7 Blues in F (My Ding) [Explicit] 7:29\r\n8 Play Your Eight (Miles Speaks) 0:05\u003cul\u003e\n\u003cli\u003eReleased: 03\/10\/2017\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":50558303633639,"sku":"LDA12O-F5YZ-IF","price":48.74,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/miles-davis-miles-davis-quintet-freedom-jazz-dance-the-bootleg-series-vol-5-gatefold-lp-jacket-3-lps_lUsEZ.jpg?v=1740670073"},{"product_id":"miles-davis-thelonious-monk-miles-monk-at-newport-mono-sound","title":"Miles Davis \u0026 Thelonious Monk Miles \u0026 Monk At Newport (Mono Sound)","description":"TracksCredits\r\n- Disc 1 -\r\n1 Ah-Leu-Cha (5:55, Composed By Charlie Parker) Davis in 1958\r\n2 Straight, No Chaser (8:52, Composed By Thelonious Monk)\r\n3 Fran-Dance (7:08, Composed By Miles Davis)\r\n4 Two Bass Hit (4:19, Composed By Dizzy Gillespie and John Lewis)\r\n- Disc 2 -\r\n1 Nutty (13:57, Composed By Thelonious Monk) Monk in 1963\r\n2 Blue Monk (11:18, Composed By Thelonious Monk) Monk in 1963\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/29\/2013\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis \u0026 Thelonious Monk","offers":[{"title":"Default Title","offer_id":50558303895783,"sku":"56SI6Y-VU0L-T7","price":26.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/miles-davis-thelonious-monk-miles-monk-at-newport-mono-sound_ko76G.jpg?v=1740157781"},{"product_id":"miles-davis-the-essential-miles-davis-2-lps","title":"Miles Davis The Essential Miles Davis (2 Lp's)","description":"Originally released as a 2 LP set.\r\nPersonnel: Miles Davis (trumpet); Lee Konitz, Cannonball Adderley, Jackie McLean (alto saxophone); Jimmy Heath (tenor saxophone); Gerry Mulligan (baritone saxophone); J.J. Johnson, Kai Winding (trombone); Junior Collins (French horn); John Barber (tuba); Horace Silver, Al Haig, Hank Jones, Gil Coggins (piano); Joe Shulman, Oscar Pettiford, Percy Heath, Sam Jones (bass); Art Blakey, Max Roach, Kenny Clarke (drums).\r\nProducer: Pete Rugolo, Alfred Lion.\r\nCompilation producer: Michael Cuscuna.\r\nEngineers include: Doug Hawkins, Rudy Van Gelder.\r\nRecorded in New York, New York on January 21, 1949; WOR Studios, New York, New York on May 9, 1952 and April 20, 1953; the Van Gelder Studio, Hackensack, New Jersey on March 6, 1954 and March 9, 1958.\r\nPersonnel includes: Miles Davis (trumpet); Bill Evans (soprano saxophone); Charlie Parker (alto \u0026amp; tenor saxophones); Lee Konitz, Julian \"Cannonball\" Adderley (alto saxophone); John Coltrane, Sonny Rollins, Jimmy Heath, Hank Mobley, Wayne Shorter (tenor saxophone); Gerry Mulligan (baritone saxophone); Ernie Royal (trumpet); Kai Winding, J.J. Johnson, Jimmy Clevelnd (trombone); Jerome Richardson (flute, clarinet); Dizzy Gillespie, Horace Silver, Red Garland (piano); Herbie Hancock, Marcus Miller, Dave Holland (keyboards); Keith Jarrett (organ); John Scofield (guitar); Paul Chambers, Ron Taylor (bass); Max Roach, Philly Joe Jones, Kenny Clarke, Art Taylor, Jack DeJohnette (drums); Airto Moreira, Paulinho Da Costa (percussion).\r\nProducers include: Teo Macero, Pete Rugolo, Bob Weinstock, Alfred Lion, George Avakian.\r\nCompilation producers: Michael Cuscuna, Bob Belden, Steve Berkowitz, Seth Rothstein.\r\nEngineers include: Doug Hawkins, Rudy Van Gelder, Fred Plaut.\r\nRecorded between 1945 \u0026amp; 1986. Includes liner notes by Bob Blumenthal.\r\nDavis spent the most groundbreaking years of his career on Columbia; volume eight of that label's \"This Is Jazz\" series offers a survey, however inherently limited, of his work from 1955 to 1965, a period that covers his two classic quintets, the recording of KIND OF BLUE and his first work with Gil Evans. What THE BEST OF MILES DAVIS includes is material from BIRTH OF THE COOL, represented by three cuts from that LP, and from sessions done between 1952 and 1954 that featured musicians like J.J. Johnson, Jackie McLean, Jimmy Heath, Percy Heath and Art Blakey. It's an interesting period, in that neither Blue Note nor Davis had quite developed into the icons they were about to become. Ironically, with the final two cuts on this collection (from 1959's SOMETHING ELSE), both the label and Miles can be heard doing precisely what they became best known for: the album, released under Cannonball Adderly's name, imparts the smoky, noir atmosphere that characterized Blue Note's reputation as the home of hard bop, while Davis, radically reinterpreting standards like \"Autumn Leaves,\" sounds at once pointillistic, introspective and decidedly badass.\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/07\/2016\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":50558303961319,"sku":"AQTQ7S-HCWT-00","price":30.41,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/miles-davis-the-essential-miles-davis-2-lps_EHh59.jpg?v=1740670082"},{"product_id":"dave-brubeck-quartet-time-out","title":"Dave Brubeck Quartet Time Out","description":"Dave Brubeck Quartet: Dave Brubeck (piano); Paul Desmond (alto saxophone); Eugene Wright (bass); Joe Morello (drums).Recorded at Columbia 30th Street Studios, New York, New York on June 25, July 1 \u0026amp; August 18, 1959. Includes liner notes by Dave Brubeck and Steve Race.Dave Brubeck's TIME OUT ranks alongside Miles Davis' KIND OF BLUE as one of the few advanced jazz masterpieces to achieve great commercial success. In fact, the widespread popularity of TIME OUT, with its cool-toned ambience, smooth style, and elements borrowed from classical music, helped make modern jazz a mainstream phenomenon.The ubiquitous \"Take Five\" may be overplayed, but that doesn't diminish the joy of its complex melodic hooks, its perfectly executed solos, or the swinging slink of its 5\/4 signature. \"Blue Rondo a la Turk\" collages Mozart, cool swing, and Brubeck's own classically oriented piano style, and the airy, delicate \"Everybody's Jumpin'\" showcases the lyrical splendor of saxophonist Paul Desmond. With bassist Gene Wright and drummer Joe Morello keeping the tricky rhythms agile and swift, the Dave Brubeck Quartet blended complexity and accessibility for pure jazz pleasure on TIME OUT, an album everyone should own.\u003cul\u003e\n\u003cli\u003eReleased: 09\/08\/2017\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dave Brubeck Quartet","offers":[{"title":"Default Title","offer_id":50558304092391,"sku":"OEE7TQ-HCOY-00","price":16.89,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/dave-brubeck-quartet-time-out_eq7Ll.jpg?v=1740670097"},{"product_id":"john-coltrane-blue-train","title":"John Coltrane Blue Train","description":"\u003cp\u003eRecorded in 1957, BLUE TRAIN is considered by the artist himself to be his finest work. In the mid-50's, Trane played with Miles Davis and Thelonius Monk, and he used the experience to propel himself to new heights of improvisational hard bop. The elements that comprise BLUE TRAIN would come to influence every generation of musicians that followed.The bluesy title track kicks in with an extended Coltrane tenor sax solo. Four years later Coltrane would also adopt soprano sax into his fold. This leads into solos by Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano and Paul Chambers brings it home on the bass. Philly Joe Jones keeps the beat impeccably throughout, with a slight shuffle. \"Moment's Notice\" quickens the pace and showcases Jones' more intricate drumming. \"Locomotion\" takes an almost rock 'n' roll pace with the sax and trumpet playing in perfect tandem. Coltrane then shows his diversity by taking it easy and delicate in \"I'm Old Fashioned.\" \"Lazy Bird\" is an excellent mid tempo number that concludes the album.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eRSD Release Date: DDD\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003cli\u003eReleased: 9\/8\/2017\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Coltrane","offers":[{"title":"Default Title","offer_id":50558304125159,"sku":"E02GLA-W0R5-00","price":16.89,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/John-Coltrane-Blue-Train_CCLME_f9879873-f428-4e6a-9fb8-df8f5c5abad7.jpg?v=1740167538"},{"product_id":"miles-davis-a-tribute-to-jack-johnson-140-gram-vinyl-download-insert","title":"Miles Davis – A Tribute To Jack Johnson (140 Gram Vinyl, Download Insert)","description":"\u003cp\u003eDESCRIPTION Vinyl LP pressing. A Tribute to Jack Johnson is a studio album and soundtrack by jazz trumpeter, composer, and bandleader Miles Davis. It was released on February 24, 1971. The album was conceived by Davis for Bill Cayton's documentary of the same name, on the life of boxer Jack Johnson. It's two 25-minute-plus tracks were produced from recordings made on February 18 and April 7, 1970, at 30th Street Studio in New York City. Davis was inspired by the political and racial subtext of Johnson's saga as well as the hard rock and funk sounds of his own era, leading a rock-inspired line-up of musicians in the studio: guitarists John McLaughlin and Sonny Sharrock, keyboardists Herbie Hancock and Chick Corea, clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eReleased: 03\/27\/2020\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":50558304256231,"sku":"CZ46CS-D2FY-00","price":25.34,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/miles-davis-a-tribute-to-jack-johnson-140-gram-vinyl-download-insert_eAjcC_80fe8282-c2b5-466d-82fb-f62cd6936acc.jpg?v=1740670076"},{"product_id":"grateful-dead-dick-s-picks-vol-33-10-9-10-10-76-oakland-coliseum-stadium-oakland-ca-limited-hand-numbered-180-gram-8-lp-set","title":"Grateful Dead - Dick's Picks Vol. 33 10\/9 \u0026 10\/10\/76 Oakland Coliseum Limited Hand-Numbered 180 Gram 8Lp","description":"Trying to decide which Grateful Dead concert to reissue on vinyl is kind of like ordering from the menu of a three-star restaurant: no matter what you pick, it‚Äôs not just going to be good, it‚Äôs also going to be unique and memorable. Faced with such an embarrassment of riches, and trying to remain true to our vision of hitting a different year with each release, we decided to do what any sensible Dead Head would do: go BIG. Hence, our 8-LP release of Dick‚Äôs Picks Vol. 33! Fresh from a year-and-a-half touring hiatus, and back to full, two-drummer strength, the Dead opened for The Who as part of Bill Graham‚Äôs historic Day on the Green concerts in 1976. This Pick captures both dates in their entirety, and features one of the most monumental medleys (and that‚Äôs sayin‚Äô something!) in band history with a 60-minute, 10-song journey through ‚ÄúSt. Stephen‚Äù\/‚ÄùNot Fade Away‚Äù\/‚ÄùSt. Stephen‚Äù\/‚ÄùHelp on the Way‚Äù\/‚ÄùSlipknot!‚Äù\/‚ÄùDrums‚Äù\/‚ÄùSamson and Delilah‚Äù\/‚ÄùSlipknot!‚Äù\/‚ÄùFranklin‚Äôs Tower‚Äù\/‚ÄùOne More Saturday Night‚Äù on the first day. Day two offers excellent takes on two solo Garcia favorites, ‚ÄúMight as Well‚Äù and ‚ÄúThe Wheel,‚Äù that were new to the concert repertoire and a particularly fine ‚ÄúRamble on Rose‚Äù among other highlights.  Bill Graham had honored the Dead by selecting them to close the year‚Äôs stellar series of Day on the Green concerts, and that‚Äîperhaps coupled with the presence of formidable co-headliners The Who‚Äîsparked some of the band‚Äôs finest performances of the period. \r\n\r\nBut it‚Äôs not just the performances, or the fact that we hadn‚Äôt done a 1976 vinyl reissue, that drew us to this concert. This ‚ÄúBetty Board‚Äù is one of the cleanest recordings in the whole series, and with a fresh mastering for vinyl by Jeffrey Norman at Mockingbird Mastering, lacquer cutting by Clint Holley and Dave Polster at Well Made Music, and a pressing on 180-gram black vinyl by our friends at Gotta Groove Records, this is‚Äîdare we say it‚Äîthe best-sounding Dead vinyl release we‚Äôve done. Seriously‚Ķthe test pressings (which were reviewed by Jeffrey Norman, Dead archivist David Lemieux and Real Gone‚Äôs Gordon Anderson) were just fantastic, so present and crisp. We‚Äôve included a 4-page, full-color, LP-sized insert that captures all the extensive graphics that were on the CD release, too. It‚Äôs our biggest Grateful Dead album ever‚Ķlimited to 6000 hand-numbered copies!\n\nSide A\r 1. Promised Land \r 2. Mississippi Half-Step Uptown Toodeloo \r 3. Cassidy \r \r Side B\r 1. Tennessee Jed \r 2. Looks Like Rain \r \r Side C\r 1. They Love Each Other \r 2. New Minglewood Blues \r \r Side D\r 1. Scarlet Begonias \r 2. Lazy Lightning\r 3. Supplication \r \r Side E\r 1. Sugaree \r \r Side F\r 1. St. Stephen \r 2. Not Fade Away \r 3. St. Stephen \r 4. Help On The Way\r \r Side G\r 1. Slipknot! \r 2. Drums \r 3. Samson And Delilah \r 4. Slipknot! \r \r Side H\r 1. Franklin‚Äôs Tower \r 2. One More Saturday Night \r 3. U.S. Blues \r \r Side I\r 1. Might As Well \r 2. Mama Tried \r 3. Ramble On Rose \r 4. Cassidy \r \r Side J\r 1. Deal \r 2. El Paso\r 3. Loser \r 4. Promised Land \r \r Side K\r 1. Friend Of The Devil \r 2. Dancing In The Streets \r \r Side L\r 1. Wharf Rat \r 2. Dancing In The Streets \r \r Side M\r 1. Samson and Delilah \r 2. Brown-Eyed Women \r 3. Playing In The Band \r \r Side N\r 1. Drums \r 2. The Wheel \r 3. Space \r 4. The Other One \r \r Side O\r 1. Stella Blue \r 2. Playing In The Band \r \r Side P\r 1. Sugar Magnolia \r 2. Johnny B. Goode\u003cul\u003e\n\u003cli\u003eReleased: 12\/16\/2022\u003c\/li\u003e\n\u003cli\u003eGenre: Psychedelic\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 8LP 180g Vinyl, 2-Piece Hardshell Box, 4-page 4-color Insert, Hand Numbered\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Grateful Dead","offers":[{"title":"Default Title","offer_id":50558309302503,"sku":"L9TQER-VPBD-00","price":272.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/grateful-dead-dicks-picks-vol-33109-101076-oakland-coliseum-stadium-oakland-ca-limited-hand-numbered-180-gram-8-lp-set_TA2sL.jpg?v=1740669974"},{"product_id":"grateful-dead-two-from-the-vault-4-lps","title":"Grateful Dead - Two From The Vault (4 Lp's)","description":"\u003cp\u003eFirst time ever on vinyl! Limited four vinyl LP pressing in a gatefold Stoughton 'tip-on' M-Pack jacket. Following on the heels of Light in the Attic's vinyl LP release of ONE FROM THE VAULT comes the next in the trilogy of FROM THE VAULT releases by the Grateful Dead. These releases are distinguished from the more abundant DICK'S PICKS series in that DICK'S PICKS are 'direct from the soundboard' recordings, while the FROM THE VAULT series were professionally recorded on multi-track tape and then mixed down (decades) later for release. Recorded live at the Shrine Auditorium (Los Angeles) in 1968, this is the worldwide vinyl debut release of this legendary show featuring the 6 piece line-up of Pigpen, Garcia, Weir, Lesh, Kruetzmann, and Hart, freshly remastered in 2014 by Joe Gastwirt for maximum mind expansion. Nine dynamic songs on eight sides of wax - five songs weigh in around the 15-minute mark, while three others touch down close to 10 minutes. This is the Dead at their most improvisational while still retaining the Blues-Rock roots of the 'Pigpen' years.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/07\/2014\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Grateful Dead","offers":[{"title":"Default Title","offer_id":50558309400807,"sku":"5JDA7U-H80O-00","price":98.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/grateful-dead-two-from-the-vault-4-lps_MSuOg.jpg?v=1740670075"},{"product_id":"various-artists-8-mile-music-from-and-inspired-by-the-motion-picture-deluxe-edition-4-lp","title":"Various Artists - 8 Mile (Music From And Inspired By The Motion Picture)","description":"\u003cp\u003e8 Mile (Music From And Inspired By The Motion Picture) [Deluxe Edition 4 LP] is a Records \u0026amp; LPs from Various Artists\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 04\/14\/2023\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":50558311006439,"sku":"P2FEYT-PEUD-00","price":99.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/various-artists-8-mile-music-from-and-inspired-by-the-motion-picture-deluxe-edition-4-lp_D44KQ.jpg?v=1740670087"},{"product_id":"rush-signals-40th-anniversary-limited-edition-deluxe-edition-with-cd-with-blu-ray","title":"Rush - Signals (40th Anniversary) (Limited Edition, Deluxe Edition, With CD, With Blu-ray)","description":"TracksCredits\r\n- Disc 1 -\r\n1 * Half-Speed DMM Vinyl\r\n2 Subdivisions\r\n3 The Analog Kid\r\n4 Chemistry\r\n5 Digital Man\r\n6 The Weapon\r\n7 New World Man\r\n8 Losing It\r\n9 Countdown\r\n- Disc 2 -\r\n1 * CD 2015 Remaster\r\n2 Subdivisions\r\n3 The Analog Kid\r\n4 Chemistry\r\n5 Digital Man\r\n6 The Weapon\r\n7 New World Man\r\n8 Losing It\r\n9 Countdown\r\n- Disc 3 -\r\n1 * 7\"\r\n2 Subdivisions \/ Red Barchetta (Live)\r\n3 Countdown \/ New World Man\r\n4 New World Man \/ Vital Signs (Live)\r\n5 New World Man (Single Edit) \/ Digital Man\r\n- Disc 4 -\r\n1 * Blu-ray Audio\r\n2 Subdivisions\r\n3 The Analog Kid\r\n4 Chemistry\r\n5 Digital Man\r\n6 The Weapon\r\n7 New World Man\r\n8 Losing It\r\n9 Countdown\r\n10 * Bonus Videos\r\n11 Subdivisions\r\n12 Countdown\u003cul\u003e\n\u003cli\u003eReleased: 04\/28\/2023\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rush","offers":[{"title":"Default Title","offer_id":50558311825639,"sku":"ZV0CT9-3CDM-00","price":251.16,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/rush-signals-40th-anniversary-limited-edition-deluxe-edition-with-cd-with-blu-ray_wuUbn.jpg?v=1740670161"},{"product_id":"quasimoto-the-further-adventures-of-lord-quas","title":"Quasimoto - The Further Adventures Of Lord Quas","description":"THE FURTHER ADVENTURES OF LORD QUAS is the second collage of glorious madness from the gifted MC Quasimoto. Quasimoto is actually versatile producer Madlib, at his most demented, bizarre, and magnificent. The album opens with maniacal, Vincent Price-style laughing, before Madlib announces his alter ego, who launches into a twisted sermon somewhere between the Geto Boys and Eminem. At one point Quas quips \"I flow similar to cool whip Tabasco,\" about as valid a description of his quirky style as any. That track, \"Bullysh--,\" is diverted into a 1950s radio-announcer skit, then returns to the sound of psychotic rhymes. This is par for the course on THE FURTHER ADVENTURES, a deliriously inventive record that combines artful sound-sculpting, funk, hip-hop, and more into a brilliant stew for one of the most inspired records of 2005.\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rap\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/08\/2011\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Quasimoto","offers":[{"title":"Default Title","offer_id":50558366744807,"sku":"HDEHWH-9UGM-00","price":30.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/quasimoto-the-further-adventures-of-lord-quas_ydZRO_ae5dece7-cedc-4bf3-9af1-b0391d269af5.jpg?v=1740669976"},{"product_id":"nxworries-knxwledge-anderson-paak-yes-lawd-digital-download-card-2-lps","title":"Nxworries \/ Knxwledge \/ Anderson Paak – Yes Lawd! (Digital Download Card) (2 Lp's)","description":"\u003cp\u003eNxWorries appeared in early 2015 on Stones Throw with \"Suede.\" Knxwledge provided the dazed production, its beat a clipped gait -- Gil Scott-Heron\/Brian Jackson's \"The Bottle\" stretched and dragged to support Anderson Paak's freewheeling vehicular exhibition and macking seminar. Dr. Dre then sought Paak for extensive work on Compton, while the rising Knxwledge produced \"Momma\" on To Pimp a Butterfly and released a Stones Throw album. As Paak and Knxwledge sustained their prominence with separate collaborative and solo work, their activity as a unit gradually escalated to this full-length, released during the fourth quarter of 2016. It includes \"Suede,\" two other cuts from an EP originally released as a download in late 2015, and 40 additional minutes of keenly bent and smudged soul loops. Though Paak is an accomplished musician and bandleader, as seen throughout 2016 in several televised performances to promote Malibu, he sticks strictly to singing and rapping, leaving Knxwledge to handle all the music. Reflective of their collaborative alias, Paak doesn't sound particularly bothered, apart from some irritation related in \"H.A.N.,\" a deflection of leeches and critics, and some serious concerns and confessions within the supremely dreamy \"Khadijah.\" Otherwise, he keeps it lighthearted as an irrepressible rolling stone. Audibly and lyrically coarse, he rarely sounds less than entirely self-satisfied and at least a little amused, whether he's dealing out wisecracking wordplay or quoting J Dilla as he deftly coasts over and darts between the beats. If not quite as substantive as Malibu, this is one of those albums that can be played continuously without risk of depreciation. Knxwledge and Paak are so occupied with other pursuits that this seems destined to take its place in the Stones Throw discography as one of the label's fine twosome one-offs in the manner of Madvillainy and Champion Sound. ~ Andy Kellman\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 10\/21\/2016\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2LP\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nxworries \/ Knxwledge \/ Anderson Paak","offers":[{"title":"Default Title","offer_id":50558367105255,"sku":"V4KNDY-T5C9-00","price":30.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/nxworries-knxwledge-anderson-paak-yes-lawd-digital-download-card-2-lps_2qhOg.jpg?v=1740498742"},{"product_id":"kendrick-lamar-untitled-unmastered","title":"Kendrick Lamar – Untitled Unmastered","description":"\u003cp\u003eIssued without advance notice 17 days after Kendrick Lamar's riveting 2016 Grammy Awards performance, untitled unmastered. consists of eight demos that are simply numbered and dated. Apart from segments previewed at the Grammys and late-night television appearances, there was no formal promotion. A postscript, it's (artfully) artless in presentation -- not even basic credits appear on the Army green liner card in the compact disc edition -- yet it's almost as lyrically and musically rich as To Pimp a Butterfly. The dates indicate that the majority of the material was made during the sessions for that album, and the presence of many of its players and vocalists is unmistakable. This was assembled with a high level of care that is immediately evident, its components sequenced to foster an easy listen. Track-to-track flow, however, is about the only aspect of this release that can be called smooth. After an intimate spoken intro from Bilal, the set segues into an urgent judgment-day scenario with squealing strings and a resounding bassline as Lamar confronts mortality and extinction with urgent exasperation. He observes terrifying scenes all the while sensing possible relief (\"No more running from world wars,\" \"No more discriminating the poor\"). untitled unmastered. offers this and other variations on the connected themes of societal ills, faith, and survival that drove the output it follows, with Lamar at his best when countering proudly materialistic boasts with ever-striking acknowledgments of the odds perilously weighted against his people. Remarkably, this hits its stride in the second half. The stretch involves a rolling, ornamented retro-contemporary production from Adrian Younge and Ali Shaheed Muhammad (with vocal assists from Bilal and Cee Lo Green), a stitched suite that is alternately stern and humorously off the cuff (featuring Egypt, five-year-old son of Alicia Keys and Swizz Beatz, as co-producer and vocalist), and a finale of Thundercat-propelled funk. Even while coasting over the latter's breezy and smacking groove, Lamar fills the space with meaning, detailing a confrontation with sharp quips and stinging reprimands. While Lamar referred to these tracks as demos, and not one of them has the pop-soul appeal of \"These Walls\" or the Black Lives Matter protest-anthem potential of \"Alright,\" untitled unmastered. is no mere offcut dump. It's as vital as anything else its maker has released. ~ Andy Kellman\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 5\/27\/2016\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":50558367858919,"sku":"XCSZJL-VTZH-00","price":29.89,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/Kendrick-Lamar-Untitled-Unmastered_sCHt3.jpg?v=1740154827"},{"product_id":"kendrick-lamar-damn","title":"Kendrick Lamar Damn","description":"\u003cp\u003eTo Pimp a Butterfly's proper and oft-biblical follow-up arrived on Good Friday, 13 months after untitled unmastered., an intermediary release that eclipsed the best work of most contemporary artists. If Kendrick Lamar felt pressure to continue living up to his previous output, there's no evidence on DAMN. He's too occupied tracing the spectrum of his mental states, from \"boxin' demons\" to \"flex on swole,\" questioning and reveling in his affluence, castigating and celebrating his bloodline, humble enough to relate his vulnerabilities, assured enough to proclaim \"Ain't none of y'all fuckin' with the flow.\" Throughout, he intensely examines most of the seven deadly sins, aware all along that his existence is threatened by anyone who objects to the color of his skin or clothes -- or, in the case of the blind stranger who shoots him during the album's opener, nothing that is apparent. Compared to the maximum-capacity, genre-twisting vastness and winding narratives of Good Kid, M.A.A.D. City and To Pimp a Butterfly, DAMN. on the surface seems like a comparatively simple rap album that demands less from the listener. There's relative concision in the track titles and material, and a greater emphasis on commercial sounds -- such as Mike WiLL's lean and piano-laced trap beat for the strong-arming \"HUMBLE.,\" Lamar's first Top Ten pop hit, and a couple productions that are merely functional backdrops lacking distinction. In a way, however, DAMN. is just as lavish and singular as the preceding albums, its quantity and weight of thoughts and connected concepts condensed into a considerably tighter space. It contains some of Lamar's best writing and performances, revealing his evolving complexity and versatility as a soul-baring lyricist and dynamic rapper. Although it's occasionally distorted, stretched, smeared, and reversed to compelling and imagination-fueling effect, his voice is at its most affecting in its many untreated forms. Take \"FEAR.,\" in which he switches between echoing hot-blooded parental threats to enumerating, with a 40-acre stare, various death scenarios. His storytelling hits an astonishing new high on \"Duckworth,\" the album's finale. Over ethereal funk sewn by 9th Wonder, Lamar details a potentially tragic encounter between his father and future Top Dawg CEO Anthony Tiffith -- and the conditions leading to it -- that occurred long before Kung Fu Kenny was known as K. Dot. ~ Andy Kellman\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eRSD Release Date: n\/a\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/14\/2017\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":50558368317671,"sku":"MBBEEA-FMK3-00","price":41.34,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/Kendrick-Lamar-Damn_RBpTY.jpg?v=1740670014"},{"product_id":"macklemore-ben-2-lps","title":"Macklemore - Ben (2 Lp's)","description":"\u003cp\u003eBEN (2 Lp's) is a Records \u0026amp; LPs from Macklemore\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rap\u003c\/li\u003e\n\u003cli\u003eReleased: 3\/3\/2023\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Macklemore","offers":[{"title":"Default Title","offer_id":50558369235175,"sku":"G68NTI-CW1V-00","price":30.03,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/macklemore-ben-2-lps_dcULs.jpg?v=1740670048"},{"product_id":"mac-miller-faces-colored-vinyl-yellow-3-lp","title":"Mac Miller - Faces 3 Lp (Colored Vinyl, Yellow)","description":"\u003ch4 class=\"aec-desc-label\"\u003eDESCRIPTION\u003c\/h4\u003e\r\n\r\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\r\n\u003cp\u003eMAC MILLER \/ FACES - Faces yellow edition vinyl. Includes 1 bonus trackFaces yellow edition vinyl. Includes 1 bonus track - Mac Miller has accomplished every goal he ever set for himself. At least that's what the magazines say about the Pittsburgh kid, and they're right enough. With his first album he became a grassroots rap megastar. With his second he bared his weird soul and was praised for it. His 11 mixtapes boast a couple bucket lists' worth of collaborators, from Bun B and Kendrick Lamar to Rick Ross and Juicy J. And in the same year that he toured the U.S. backed by a psychedelic soul band, he rapped all over Europe with Lil Wayne and 2 Chainz. He did indie. He's doing major. He even bought himself a ridiculous house in the Los Angeles hills and made a TV show about it. Hell, he made a jazz record.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli class=\"discnum\"\u003e- Disc 1 -\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Inside Outside\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Here We Go\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Friends - Featuring - Schoolboy Q\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e Angel Dust - Featuring - King Ralph of Malibu\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e Malibu\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e What Do You Do - Featuring - Sir Michael Rocks\u003c\/li\u003e\r\n\t\u003cli class=\"discnum\"\u003e- Disc 2 -\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e It Just Doesn't Matter\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Therapy\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Polo Jeans - Featuring - Ab-Soul, Earl Sweatshirt\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e Happy Birthday\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e Wedding\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e Funeral\u003c\/li\u003e\r\n\t\u003cli class=\"discnum\"\u003e- Disc 3 -\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Diablo\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Ave Maria\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e 55 - Featuring - Thundercat\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e San Francisco\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e Colors and Shapes\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e Insomniak - Featuring - Rick Ross\u003c\/li\u003e\r\n\t\u003cli class=\"discnum\"\u003e- Disc 4 -\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Uber - Featuring - Mike Jones\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Rain - Featuring - Vince Staples\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Apparition\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e Thumbalina from the Block\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e New Faces - Featuring - Da$H, Earl Sweatshirt\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e Grand Finale\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cul\u003e\n\u003cli\u003eBest Sellers: Top50\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/15\/2021\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mac Miller","offers":[{"title":"Default Title","offer_id":50558369824999,"sku":"WSL5G1-0TL5-00","price":60.83,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/mac-miller-faces-colored-vinyl-yellow-3-lp_9vs2P.jpg?v=1740670891"},{"product_id":"eminem-recovery-explicit-content-2-lps","title":"Eminem – Recovery [Explicit Content] (2 Lp's)","description":"\u003cp\u003eWith Recovery, it becomes obvious that Eminem's richest albums aren't necessarily his most structurally sound, which isn't much of a surprise when considering the rapper's full-on embrace of flaws and contradictions. This lean, mean, bipolar machine began life as Relapse 2, but when Shady decided he wasn't really Shady at the moment, and that he was no longer keen on Relapse -- or the last two albums, as he states on \"Talkin' 2 Myself\" -- it became Marshall Mathers time again, so damn any 11th hour issues. This results in an album where a shameless but killer Michael J. Fox punch line (\"The world will stop spinnin' and Michael J. Fox'll come to a standstill\" from \"Cold Wind\") is followed by a song with another, less effective MJF joke (\"Make like Michael J. Fox in your drawers, playin' with an Etch-A-Sketch\"), although that song is the lurching heavy metal monster \"Won't Back Down\" with P!nk, and it could be used as the lead-in to \"Lose Yourself\" on any ego-boosting mixtape. Ignoring these contradictions, fans can feed on the energy, the renewed sense of purpose, and Marshall doing whatever the hell he wants, up to and including shoehorning a grand, D12-like comedy number (\"W.T.P.,\" which stands for \"White Trash Party\") into this emotionally heavy album. It's fascinating when Em admits \"Hatred was flowin' through my veins, on the verge of goin' insane\/I almost made a song dissin' Lil Wayne\" and then \"Thank God I didn't do it\/I'da had my ass handed to me, and I knew it,\" before sparring with said Weezy on the Haddaway-sampling \"No Love.\" When the recovery-minded \"Going Through Changes\" gets back on the wagon by sampling Black Sabbath's very druggy \"Changes,\" it's a brilliant and layered idea that's executed with poignant lyrics on top. Add the man at his most profound (the gigantic hit \"Not Afraid\") and his most profane (\"You wanna get graphic? We can go the scenic route\/You couldn't make a bulimic puke on a piece of corn and peanut poop\" from \"On Fire\") plus one of thickest lyric booklets out of any of his albums and the fans who really listen are instantly on board. It may be flawed and the rapper's attitude is sometimes one step ahead of his output, but he hasn't sounded this unfiltered and proud since The Marshall Mathers LP, so to hell with refinement -- bring on the hunger and spirit of 8 Mile. ~ David Jeffries\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/27\/2010\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eminem","offers":[{"title":"Default Title","offer_id":50558370054375,"sku":"8PC8CT-DJ51-00","price":35.88,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/eminem-recovery-explicit-content-2-lps_btnKs_98289b68-92c2-403f-907b-64359cb8d22a.jpg?v=1740670388"},{"product_id":"anderson-paak-oxnard","title":"Anderson.Paak - Oxnard","description":"\u003cp\u003eAnderson Paak recollects on volume three of his beach trilogy that he envisioned, back in high school, making music with Dr. Dre. The foresight manifested a decade later in a recurring role on Compton, and then a contract with the doctor's Aftermath label, announced a few months later, just as second volume Malibu was about to crash Billboard's R\u0026amp;B\/hip-hop Top Ten. A couple subsequent Grammy nominations further showed that Paak could prosper without being anyone's prot?g?, thereby making his Aftermath debut somewhat anticlimactic before it was even completed. Disregard the context and Oxnard is simply the follow-up to Malibu, lyrically a little deeper and sonically a bit richer, though a little less novel. It happens to bare Dre's name as executive producer and mixing engineer, and as co-producer of four tracks, three of which are rhythmically choppy backdrops for a peacocking, raspy Paak, basking in affluence, berating rappers, and \"fuckin' up the weekend\" as he flashes his million-dollar grin. The dazzling and layered fourth Dre collaboration, \"Cheers,\" also involves Q-Tip behind the board and in the booth, with Paak working through the loss of Mac Miller in poignant verses and a stirring chorus. Other than that track, embedded references to issues ranging from police brutality to personal troubles, and the post-11\/8 \"6 Summers\" -- where anti-Trump taunts are balanced by incisions like \"There's money to be made in a killing spree\" -- Oxnard is about highly detailed hijinks and romantic conflicts. It's front-loaded with a kind of vehicular action-adventure mini-suite, beginning in sweeping blaxploitation style with help from Kadhja Bonet's voice and strings, continuing with the elegant if lascivious pit stop \"Headlow,\" and climaxing with \"Tints,\" glistening and twisting modern synth-funk fortified by a duly animated Kendrick Lamar verse. Paak later verges closer than ever to loverman status with the slowly chugging Snoop Dogg pairing \"Anywhere,\" filled with flashbacks to '80s and '90s R\u0026amp;B like One Way, Mtume, and Ruff Endz. Although Paak is still an R\u0026amp;B artist more so than a hip-hop one, he continues to be a stylistic outlier. Rather than pander, testify, or even seduce, he tends to express the blues when he sings, epitomized on \"Smile\/Petty,\" in which he confronts a liar and wails \"My lady drives me high up the wall.\" Later lyrical transgression aside, the LP is a pleasurable thrill ride. ~ Andy Kellman\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 01\/25\/2019\u003c\/li\u003e\n\u003cli\u003eRSD Release Date: DDD\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Anderson.Paak","offers":[{"title":"Default Title","offer_id":50558370185447,"sku":"WZT03A-2EV5-00","price":31.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/AndersonPaak-Oxnard_p9uGv.jpg?v=1740670204"},{"product_id":"pharcyde-labcabincalifex-2lp","title":"Pharcyde Labcabincalif(Ex\/2Lp","description":"The Pharcyde: Imani, Bootie Brown, Slim Kid3, Fat Lip (vocals).\nAdditional personnel includes: Big Boy, Schmooche Cat, Randy Mack (vocals); Fernando Pullum (trumpet); Justin Reinhardt (Fender Rhodes, organ); Bob Durham (keyboards); Jay Dee (drums); M-Walk (scratches).\nProducers include: Jay Dee, Bootie Brown, Diamond D., Trevant \"Slim Kid3\" Hardson, M-Walk.\nEngineers include: Tim Latham, Rick Clifford, James Mansfield.\nSamples include \"Get Up, Stand Up\" (as performed by Bob Marley), \"Ladies First\" (as performed by Queen Latifah), \"Down By The River\" (as performed by Buddy Miles) and \"Saudade Ven Correndo\" (as performed by The Stan Getz Samba Jazz Encore).\nThe Pharcyde: Imani, Bootie Brown, Slim Kid3, Fat Lip (vocals).\nAdditional personnel includes: Big Boy, Schmooche Cat, Randy Mack (vocals); Fernando Pullum (trumpet); Justin Reinhardt (Fender Rhodes, organ); Bob Durham (keyboards); Jay Dee (drums); M-Walk (scratches).\nProducers include: Jay Dee, Bootie Brown, Diamond D., Trevant \"Slim Kid3\" Hardson, M-Walk.\nEngineers include: Tim Latham, Rick Clifford, James Mansfield.\nSamples include \"Get Up, Stand Up\" (as performed by Bob Marley), \"Ladies First\" (as performed by Queen Latifah), \"Down By The River\" (as performed by Buddy Miles) and \"Saudade Ven Correndo\" (as performed by The Stan Getz Samba Jazz Encore).\nThe change in the Pharcyde between the group's first and second albums can best be summed up by the variation in album covers. Where BIZARRE RIDE II THE PHARCYDE depicted a cartoon version of the four rappers twisted and turned by a wild rollercoaster ride, LABCABINCALIFORNIA shows the real rap quartet in Southern white suits in a somewhat posed group photo. Where the former showcases wonderful, youthful chaos with skits and ideas that are woven together with little attention to logic, the latter is an album of distinct five-minute story songs. Moreover, the concepts on LABCABINCALIFORNIA are more complex and intellectual--even political--than those of BIZARRE, which dealt primarily with relationship issues.\nThe politics are much subtler than the rants of a group such as Public Enemy, but are unmistakably present. If P.E. is the publisher of a subversive newspaper against an evil state, the Pharcyde is a group of poets who live on the hill--both are effective in their own way. The Pharcyde's nuance carries into its lyricism. Although not particularly complex, the group's rhymes are casually catchy, so much so you'll have fragments of \"Runnin',\" \"Y?,\" and \"Drop\" roaming through your cranium for days, if not years.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/20\/2018\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pharcyde","offers":[{"title":"Default Title","offer_id":50558371823847,"sku":"6U7K8R-9RGV-M8","price":35.88,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/pharcyde-labcabincalifex2lp_Aq9qA.jpg?v=1740451211"},{"product_id":"snoop-dogg-the-last-meal-explicit-content-2-lps","title":"Snoop Dogg – The Last Meal [Explicit Content] (2 Lp's)","description":"Personnel includes: Snoop Dogg, Bad Azz, Kokane, Eve, Lil HD, Tha Eastsidaz, Suga Free, Butch Cassidy, Master P, Mr. Magic, Mac Minista, Nate Dogg, MC Ren, The Lady Of Rage, Ice Cube (vocals); Clarence Jimmy Roach (guitar, bass); La Tonya Holmes, Mica Fisher, Traci Nelson (background vocals).\r\nProducers include: Dr. Dre, Swizz Beatz, Battlecat, Meech Wells, Timbaland.\r\nThough Ice-T is credited with creating gangsta rap, and the original N.W.A. brought it to the forefront of the pop culture, it was Snoop Dogg that took the genre to the next level with his debut album DOGGYSTYLE. Snoop's decision to transfer from the Suge Knight-owned Death Row Records to the Master P-owned No Limit had a significant effect on the sound of his music.\r\nHowever, his fifth album, THA LAST MEAL, returns Snoop to the funk-inspired sound that made his debut a classic. \"Snoop Dogg (What's My Name Part. 2),\" with its Timbaland-produced background, re-establishes Snoop as the G-funk king. The posse cut \"Set it Off,\" which features Ice Cube, MC Ren, Nate Dogg, and the Lady of Rage, highlights Snoop's laid-back flow and skilled lyrical style. Check out \"True Lies\" for that bouncy old Snoop Dogg\/Dr. Dre feel.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 9\/08\/2017\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Snoop Dogg","offers":[{"title":"Default Title","offer_id":50558372249831,"sku":"OUWBTF-86NU-0C","price":41.34,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/snoop-dogg-the-last-meal-explicit-content-2-lps_ziqcX.jpg?v=1740670374"},{"product_id":"2pac-2pacalypse-now-explicit-content-2-lps","title":"2PAC 2pacalypse Now [Explicit Content] (2 Lp's)","description":"\u003cp\u003ePersonnel: Tupac Shakur, Stretch (rap vocals); Poppi, Dave, Roniece (vocals); Piano Man (keyboards); Angelique, Shock-G, Pee Wee, Playa-Playa, Dank, Wiz, Mac Mone, Mickey Cooley, Rodney Cooley, Pogo, Money B, DJ Fuze, Mac Mone, Ray Love, Yonni, Di Di (background vocals). Producers: Shock-G, The Underground Railroad, Big D The Impossible, Pee Wee, Jeremy, Raw Fusion, Live Squad. Engineers: Darrin Harris, Steve Counter, Marc Senasac, Matt Kelley. Recorded at Starlight Sound, Richmond, California. When 2Pac's full-length debut, 2Pacalypse Now, came out in 1991, it didn't have the same immediate impact, didn't instantly throw him into the upper echelons of rap's elite, as Nas', Jay-Z's, or even his biggest rival, Notorious B.I.G.'s did, but the album certainly set him up for his illustrious and sadly short-lived career. Part of its initial problem, what held it back from extensive radio play, is that there's not an obvious single. The closest thing to it, and what ended up being the best-known track from 2Pacalypse Now, is \"Brenda's Got a Baby,\" which discusses teenage pregnancy in true Pac fashion, sympathetically explaining a situation without condoning it, but it doesn't even have a hook, and most of the other pieces follow suit, more poetry than song. The album is significantly more political than the rapper's subsequent releases, showing an intelligent, talented, and angry young man (he was only 20 when it came out) who wanted desperately to express and reveal the problems in the urban black community, from racism to police brutality to the seemingly near impossibility of escaping from the ghetto. He pays tribute to artists like KRS-One, N.W.A, and Public Enemy, all of whom he also considered to be provoking discussion and reaction, but he also has cleanly carved out an image for himself: articulate and smart, not overtly boastful, and concerned about societal problems, both small and large (and though he discusses these less and less as career progresses, he never leaves them behind). Yes, the edges of 2Pacalypse Now can be a bit rough, yes the beats aren't always outstanding, and yes, the MC's flow can be a little choppy, even for him, but it's still a great look at what 2Pac could offer, and a must-have for any fan of his, or hip-hop in general. ~ Marisa Brown\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/11\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"2Pac","offers":[{"title":"Default Title","offer_id":50558372315367,"sku":"S15JHL-0S3A-00","price":41.34,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/2pac-2pacalypse-now-explicit-content-2-lps_g8kvW.jpg?v=1740670346"},{"product_id":"notorious-b-i-g-born-again-black","title":"Notorious B.I.G. - Born Again (Black)","description":"\u003cp\u003ePersonnel: The Notorious B.I.G., Puff Daddy, Busta Rhymes, Lauryn Hill, DMX, Nas, Method Man, Redman, Lil' Kim, Faith, Too Short, K-Ci, JoJo, Sadat X, Ice Cube, Shyne, G-Dep, Mark Curry, Snoop Dogg, Eminem, Hot Boys \u0026amp; Big Timer, Craig Mack, Missy \"Misdemeanor\" Elliot, G-Dep, Lil' Cease, Mobb Deep, Joe Hooker, Black Rob, Beanie Sigel, Junior M.A.F.I.A. Producers include: Puff Daddy, Chucky Thompson, Mario Winans, Derek \"D Dot\" Angelettie, DJ Premier. Engineers include: Roger Che, Michael Patterson, Tom Cassel. Personnel: The Notorious B.I.G., Puff Daddy, Busta Rhymes, Lauryn Hill, DMX, Nas, Method Man, Redman, Lil' Kim, Faith, Too Short, K-Ci, JoJo, Sadat X, Ice Cube, Shyne, G-Dep, Mark Curry. Producers include: Puff Daddy, Chucky Thompson, Mario Winans, Derek \"D Dot\" Angelettie, DJ Premier. Where would Christopher Wallace\/Biggie Smallz\/Notorious B.I.G. be today had the rap wars not claimed the large (both livin' and size) rapper? It's the eternal James Dean question--how much of the myth comes from the tragedy and how much of the tragedy comes from the myth. These questions can never be answered to any satisfaction, though it's only fair to recall that Biggie had sold millions of records and seen the top of Billboard's album and pop singles charts long before he went out bigger than his life. On BORN AGAIN, the whole rap world turns out to pay tribute at this latest reverent, raucous wake. Biggie still eerily fills the center of this rap universe with Snoop Dogg, Ice Cube, Busta Rhymes, and other luminaries from both coasts and various camps filling in the rhymes around him. Tracks like the Duran Duran-sampled \"Notorious B.I.G.\" and \"Dead Wrong\" are perfect showcases for Biggie's patented lumbering and relaxed baritone flow. BORN AGAIN proves not whether the man would stand atop the hip-hop hierarchy had he lived, but reveals the amount of love felt for the Notorious B.I.G. and reminds us of what he was capable if only...\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 04\/22\/2017\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Notorious B.I.G.","offers":[{"title":"Default Title","offer_id":50558372610279,"sku":"FV3S7Q-HRJ7-00","price":40.55,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/notorious-big-born-again-black_DWbvH.jpg?v=1740670143"},{"product_id":"curry-denzel-imperial-lp-explici","title":"CURRY,DENZEL IMPERIAL (LP-EXPLICI","description":"In the years between his 2013 debut LP, Nostalgic 64, and his sophomore set, Imperial, Denzel Curry evolved from a shadowy cult presence into a full-blown, game-ready voice. While hints of this direction were already present on Nostalgic -- a few subtly catchy hooks and a lyrical dexterity ahead of his peers -- Imperial presents Curry as a figure set to dominate his contemporaries with sheer skill and personality. Like Vince Staples and Kendrick Lamar, the Miami-based wordsmith is introspective and can be shockingly dark, with wordy bars compressed with lyrics that easily swerve from violent street-level snapshots to pop culture references aplenty. Take the autobiographical whirlwind \"Story: No Title\" for example: the mid-album highlight contains shout-outs to Fugazi, Kill Bill, Star Wars, Bebe's Kids, and Spongebob, woven through grim ruminations on gun violence and desperation. With his breathless delivery, it can be exhausting, but in an exciting, thrilling way. Some of the best hooks appear out of thin air, bubbling up unexpectedly between aggressive verses and latching onto listeners long after the song has ended (like \"Sick \u0026amp; Tired\" and the Rick Ross joint \"Knotty Head\"). \"ULT\" -- a reworking of his 2013 track \"Ultimate\" -- contains a hypnotic, anthemic chorus that kicks Imperial to life, bleeding into the popping \"Gook.\" The complicated title is, according to Curry, Miami slang for \"odd\" or \"not with in crowd,\" establishing his self-proclaimed position as an outlier and misfit. Considering the state of popular rap at the time of the album's release, Curry's focus on storytelling and clever lyrical wordplay indeed sets him apart from a pack more concerned with onomatopoeia and exclamations. Further distinguishing himself from peers, Curry also pays respect to his forefathers and hip-hop history, dropping a trio of stylistic throwbacks to close Imperial. Going toe to toe with Joey Bada$$ on \"Zenith,\" Curry channels the spirit of the golden era with dense verbal volleys and some old-fashioned turntable scratching. \"Good Night,\" featuring frequent collaborator Twelve'len on the bridge and a star turn from rapper Nell, invokes early-era Kanye production with the uplifting spirit of Kendrick's \"Alright.\" On an album that lurks mostly in the shadows, it's a clear standout. Taut and perfectly paced at ten snapshots, Imperial is a promising and early triumph for Curry, whose versatility and talent have produced one of the best rap albums of 2017. ~ Neil Z. Yeung\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 1\/27\/2017\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CURRY,DENZEL","offers":[{"title":"Default Title","offer_id":50558372905191,"sku":"R4ZDRQ-DQB2-00","price":26.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/currydenzel-imperial-lp-explici_RVUAP.jpg?v=1740670245"},{"product_id":"travis-scott-birds-in-the-trap-sing-mcknight-download-insert-explicit-content-2-lp","title":"Travis Scott - Birds In The Trap Sing Mcknight (Download Insert, Explicit Content) (2 LP)","description":"Titled after one of Quavo's lines from the chirpy summertime 2016 hit co-billed to Travis Scott and Young Thug, this fitfully hypnotizing follow-up arrived after numerous delays, toward the end of the year's third quarter. \"Pick Up the Phone\" functioned as the lead single off Thug's JEFFERY, and it sensibly reappears here, buried in the latter half, de-emphasized yet not quite a tacked-on bonus. It's easily the track with the most pop appeal on Scott's second full-length. Released almost exactly a year after Rodeo, Birds in the Trap features little development, though the large company Scott keeps is quite different, and Metro Boomin is noticeably absent. Among the present is Andr? 3000, who drops by on \"The Ends\" to recollect the infamous rash of murders that struck his city during his early childhood. The album's deepest verse by a great measure, it has no discernible connection to Scott's surrounding rhymes of cocksure nonsense. That remains the M.O. of Scott, who remains deeply into heavy accessorization and proclamations of dominance, as well as punctuations with affirmative exclamations cast in dehumanizing pitch alteration. Swarming basslines and sluggish beats likewise form the rhythmic foundation, with gauzy and tickling keyboards adding sweetness to Scott's hedonistic hooks. Only on \"Guidance,\" through scuttling drums granted by DF, is there a significant shake-up. This time, Scott co-produced only one track, another Weeknd collaboration, and it easily slips into the album's scheme with its serpentine menace and lightweight lyricism. Among the others on the guest carousel are Kendrick Lamar, Kid Cudi, 21 Savage, and Cassie. They all pass in a slow-motion blur. ~ Andy Kellman\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/25\/2016\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Travis Scott","offers":[{"title":"Default Title","offer_id":50558373069031,"sku":"I7S6EO-HWGX-00","price":30.41,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/travis-scott-birds-in-the-trap-sing-mcknight-download-insert-explicit-content-2-lp_aFLDk.jpg?v=1744674304"},{"product_id":"a-tribe-called-quest-we-got-it-from-here-thank-you-4-your-service-2-lps","title":"A Tribe Called Quest – We Got It From Here: Thank You 4 Your Service (2 Lp's)","description":"\u003cp\u003eIt seemed like the story of A Tribe Called Quest ended with the sad passing of original member Phife in early 2016. It began with their glory days as one of hip-hop's greatest acts to years of sometimes bitter estrangement, then hit a high point with the group coming together in 2015 to celebrate the 25th anniversary of their debut album People's Instinctive Travels and the Paths of Rhythm. They had a surprise up their sleeve, though. On the night they performed on The Tonight Show, the four original members of the Tribe decided the time was right to hit the studio and make a new album. Repairing relationships was the first step and once that happened, the group (minus Ali Shaheed Muhammad, who was in Los Angeles working on the music to Luke Cage) holed up in Q-Tip's home studio and started working on their comeback, We Got It from Here... Thank You 4 Your Service. Q-Tip held down the producer's chair with a mad scientist's flair, searching near and far through his record collection for inspiration. Tip, Phife, and Jarobi brought rhymes that sounded like they'd been sealed up since the early '90s, then broken open and served fresh. Old collaborators Busta Rhymes and Consequence dropped by to add their skills and energy; new artists like Kendrick Lamar and Anderson Paak, who grew up on the Tribe, dropped by to add verses, and some big names like Andre 3000 and Kanye West jumped in feet first, especially Andre, whose rapid-fire verses with Q-Tip on \"Kids\" provide one of the record's highlights. Jack White adds some of his guitar heroics on a few tracks and Elton John makes a cameo as well, singing the hook of the very odd \"Solid Wall of Sound.\" The sheer number of guests, the long wait since their last album, the shifting tides of hip hop -- all these factors could have led to We Got It being a disappointment. Amazingly, it turns out to be almost the exact opposite. Thanks to Q-Tip's visionary and pleasingly weird production, which draws from golden age hip-hop, old-school jazz, odd samples, dub reggae, and interplanetary electro, the fact the neither he nor Phife have lost even a small percentage of a step, and the seamlessly integrated contributions from the guests (especially Paak on \"Moving Backwards\"), the album is vibrant, intense, and alive. The group sound like they're having a blast on party songs like \"The Donald\" or the buoyant \"Dis Generation,\" get mad as hell on tracks like \"Space Program\" and \"We the People,\" and generally come off like they're still the greatest. This is no nostalgia trip or callous comeback. It's a giant exclamation point on the end of a brilliant career. It's also a tribute to the everyman genius of Phife, a widescreen look at the record-making skills of Q-Tip, and most importantly, it's a pure, undiluted, joyous thrill to have the Tribe back and still sounding this vital. ~ Tim Sendra\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 12\/23\/2016\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"A Tribe Called Quest","offers":[{"title":"Default Title","offer_id":50558373953767,"sku":"C1PZ2G-B4EY-00","price":30.41,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/a-tribe-called-quest-we-got-it-from-here-thank-you-4-your-service-2-lps_4h7gW.jpg?v=1740670334"},{"product_id":"mac-miller-go-od-am-explicit-content-2-lps","title":"Mac Miller - Go:Od Am (Explicit Content) (2 Lp's)","description":"\u003cp\u003eTracksCredits - Disc 1 - 1 Doors 2 Brand Name 3 Rush Hour 4 Two Matches (Feat. Ab-Soul) 5 100 Grandkids - Disc 2 - 1 Time Flies (Feat. Lil B) 2 Weekend (Feat. Miguel) 3 Clubhouse 4 In the Bag - Disc 3 - 1 Break the Law 2 Perfect Circle \/ God Speed 3 When in Rome 4 Ros - Disc 4 - 1 Cut the Check (Feat. Chief Keef) 2 Ascension 3 Jump 4 The Festival (Feat. 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Drake 4 Mask Off (Remix) Feat. Kendrick Lamar 5 Extra Luv Feat. 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The legendary Man In Black is now recording for a modern rock label, and is being produced by hard-core rap\/rock guru Rick Rubin--and the results are startling. Spare and stripped to the bone, AMERICAN RECORDINGS is Johnny Cash at his artistic zenith.\nAn original acoustic ballad, the opening \"Delia's Gone\" is a watershed accomplishment. Wryly capturing the art of the death ballad, it presents a thoroughly textured dramatic piece, both horrifying and humorous. The same can be said for Cash's droll reading of Loudon Wainwright's \"The Man Who Could Not Cry.\" An extremely religious man, Johnny includes several songs dealing with themes of redemption, righteousness and spiritual salvation.\nSandwiched between those two songs is a character-rich, eclectic collection of material by writers like Leonard Cohen, British rocker\/ex-son-in-law Nick Lowe, Tom Waits, death-metal god Glenn Danzig, and Cash himself. With his resounding baritone--which is in the best form of his long career--and restricted guitar technique, Cash is the centerpiece, creating a sound that is uniquely American--proud, solitary, nearly broken, yet defiant.\nJohnny Cash, alone with a single guitar, is commanding in his dry, unencumbered intensity. AMERICAN RECORDINGS reaffirms his unique musical prowess, and presents his glorious shadowy skills to a new generation.\u003cul\u003e\n\u003cli\u003eReleased: 03\/03\/2014\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Johnny Cash","offers":[{"title":"Default Title","offer_id":50558463738087,"sku":"UODZSJ-CR1T-75","price":28.47,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/johnny-cash-american-recordilp_yljhq.jpg?v=1740670164"},{"product_id":"hank-williams-jr-rich-white-honky-blues-lp","title":"Hank Williams, Jr. - Rich White Honky Blues","description":"\u003cp\u003eRich White Honky Blues [LP] is a Records \u0026amp; LPs from Hank Williams, Jr.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBest Sellers: Overstock\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Hank Williams, Jr.","offers":[{"title":"Default Title","offer_id":50558464262375,"sku":"PO9B25-ODV1-00","price":24.17,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/6212\/7591\/files\/hank-williams-jr-rich-white-honky-blues-lp_QbbBE_5dfe829c-d68e-4005-9ce8-b50a91bfe26f.jpg?v=1740670089"},{"product_id":"willie-nelson-it-always-will-be-lp","title":"Willie Nelson - It Always Will Be","description":"\u003cp\u003eIt Always Will Be [LP] is a Records \u0026amp; 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Back then, they were both hovering around 50, already considered old guys, but Django and Jimmie arrives 32 years after that record, when there's no question that the pair are old-timers. Appropriately enough, mortality is on their minds throughout Django and Jimmie, a record whose very title is taken from Willie and Merle's childhood idols. It's a song that seems like a confession, as does the casual admission that they didn't think they'd \"Live This Long,\" but neither Nelson nor Haggard wrote this, nor the title track or the album's first single, the near-novelty \"It's All Going to Pot.\" These are made-to-order originals by some of the best in the business -- Buddy Cannon, Jamey Johnson, and Ward Davis wrote \"It's All Going to Pot,\" Jimmy Melton and Jeff Prince the title track -- and it shows how producer Cannon has a sharp ear for material, along with a way with a relaxed groove. That comfortable, familial atmosphere is one of the best things about Django and Jimmie and extends far beyond the marquee names; the studio pros, friends, family, and fellow travelers who support Willie and Merle help give this a warm, worn-in feel that's appealing on its own terms. As comforting as the vibe is, it's the singers and their songs that linger. Neither Nelson nor Haggard make any attempt to hide their age -- Willie is a bit thinner than he used to be, Merle a bit growlier -- and their age is affecting when they revisit songs from the past, whether they wrote them or not (Hag's \"Swinging Doors\" is revived, as is the country standard \"Family Bible\" and Bob Dylan's \"Don't Think Twice, It's All Right\"). This nod to the passage of time isn't as explicit as \"Live This Long\" or \"Missing Ol' Johnny Cash,\" where they bring in fellow survivor Bobby Bare to reminisce about their old pal. Often, country memories can get maudlin, but Willie and Merle are filled with good humor here and the pair often strike a delicate balance of fun and sweet melancholy which gives Django and Jimmie a soulful lift. 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